On Wed, 2008-02-13 at 15:52 +0000, David Gerard wrote: > The current system is expressly designed by and for the middlemen; the > artists are milked like cattle. I urge Alex (and all here) to reread > Steve Albini's description of how the system worked as of 1994: > > http://www.negativland.com/albini.html
Sure, and you can say the same about practically any organisation which is built around the work of a few - I would never claim it's anything close to perfect (although Albini's description only briefly alludes to the numbers employed in that system, and doesn't look at the numbers where an album doesn't sell well - which I would venture is the more common scenario). It still comes back to the basic issue with earning a living from this kind of art. There are plenty of people willing to pay money for it, but there are up-front costs which need to be covered, thus you need investment. If self-publishing and gathering income that way were so easy, bands would be doing that instead of getting record contracts (and a good proportion of them actually do; not many make a living from it though). I haven't seen [m]any examples of where that was done before the artist was sufficiently well-known to be able to do it. Cheers, Alex. _______________________________________________ Discussion mailing list [email protected] https://mail.fsfeurope.org/mailman/listinfo/discussion
