Reverb will make your drums sound too busy unless you only use a touch
(if you didn't use a lot, it wouldn't add much to the stereo image
though...) 

Try ether a chorus to the drums (if you have the fx card for your
sampler)

Another one to try is change the pitch of one channel of the drums just
a tiny bit, then set the pans on the program so they aren't at a hard
50/50. Do like 40/40

As for samplers, I love my s5000! I would totally recommend it. (but
lately, I've been using reason w/ cubase)

-----Original Message-----
From: Robert Caponi [mailto:[EMAIL PROTECTED]] 
Sent: Friday, December 14, 2001 1:07 AM
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Stereo drums/Sampler shootout


 I was reading back over the canonical "ghost notes" essay and the
author urges that, wherever possible, use stereo drum loops. Now, I
normally use individual mono drum hits panned around the stereo field,
so I'm guessing the advice doesn't apply to me, but when I do sample a
break, it's almost invariably in mono. My sample cds have mostly mono
samples, and my sampler (an Akai S2000) doesn't really recognize stereo
samples as such, so I usually end up sampling in mono. Am I wrong in
thinking that some reverb could easily remedy the situation?

 I was thinking of upgrading my sampler, and now seems to be a good time
to do so. Most dnb producers swear by Emu, but why would I shell out
$1700 for an E6400 when I can get an S5000 or an A5000 for $1000. Yeah,
I know, the filters, but if the modulation matrix is anything like that
on my Morpheus, I'd rather stick with something a little more
straightforward. I'm *very* interested in Akai's Z series, should I wait
until they come out before I buy a new sampler? Thanks!

--
T.W.I.D.N.  *   http://www.nr.infi.net/~tagutcow/twidn.html



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