> soudns really good. 8)
> usually when i hear tracks with an odd time sig they sound totally off. but
> this seems to flow properly.. 8)

When I listen to music that has an odd time signature, my experience of
the music is somehow different from 4/4 - obviously - but I'm not sure how
to put my finger on what the difference is.

Since the overwhelming majority of music is 4/4 or some derivitive of it,
there's always a sense of familiarity to the beat when listening to yet
another 4/4 song that isn't there when you hear something with an odd time
signature. But that sense of familiarity isn't something you notice -
its something that gets ignored because your brain already knows the
phrase, it doesn't waste any time wondering "When does this measure end
and the next one begin?" The same can be said of 3/4 music too, I think.

Once you get into 5, 7, or 13 beats per measure, the phrase of the beat is
obviously getting longer. Maybe the difference has something to do with
having to wait longer for the beat to repeat... or something to do with
slowly becoming more comfortable with a beat that (usually) requires you
to take 2 more familiar time signatures and alternate between them. For
5/4, for instance, maybe you'll hear it as 3 beats then 2 beats.. then 3
then 2.. or maybe first 2 then 3, etc. Or maybe you'll hear it more like 4
beats with an extra 1 on the end.

I feel, sometimes, when listening to Tool, and other artists who use odd
time signatures, that sometimes its easier for me to just "feel the beat"
than to actually count it out and figure out what it is..  but then again,
if its something I'm listening to for the first time, I can easily get
lost, then I have to go back and count it out to figure out where I am..

even if everything I just said is bullshit, I can't deny that its
something I haven't experimented enough with.. so of course I'll
continue to :)

trey


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