werd.  what Trust said.     also, I find that working to get my tracks "sounding"
loud
during the pre-production process really ease the mixdown/mastering process.
Sometimes
if not a lot of care is taken in pre-production, you may end up with what is called
a "polished terd."
A compressed and limited terd.  A squashed poop with no dynamics.

lars


Trust wrote:

> > digital clipping leads to audible "crackling"... but if you clip only
> every
> > once in a while, say on a snare, that's fine because it probably won't
> > change the sound as much, but try clipping often on bass and it's
> horrible.
> > and normalizing won't throw off any eq'ing or anything else you do, it
> just
> > scans your sound file, determines what the loudest peak is, and then will
> > boost the entire file to whatever level you specify (if the loudest it
> goes
> > is -5.2 peak db, and you normalize to 0 db, it'll essentially turn up the
> > entire file by 5.2 db).
>
> Correct.  But most pros suggest avoiding normalization where possible due to
> the fact that it is actually an imperfect process that can introduce minor
> imperfections.  Although i cant say that i've ever noticed.  But if you are
> going to be limiting your final track anyway (and you should be - see
> below), you should be able to skip the normalization process.
>
> >and commercial releases are much louder than things
> > we release because... they're commercial - people with huge racks of
> > tube/analog equipment get paid to work on the tracks until they're loud as
> > hell without clipping.
> >
>
> Yeah, true, but it not all analog hocus-pocus and mystical valve magic.  In
> every case, the basic process is raising the apparent volume through
> compression and limiting.  Software apps like T-Racks, or plug-in suites
> like Steinberg Mastering Edition or Waves Gold offer tools for compressing
> and limiting your final track.  The are also lots of outboard -  the dbx
> compressors, RNC, TL Audio C1, and Prosoniq Compounder have all gotten lots
> of air time on this list - that can add warmth, punch, and apparent
> "loudness" to your mix.
>
> There's many people on this list putting out tracks that are good and loud -
> and i can assure you they're not toting many huge racks of tube gear. ;)
> Compression and limiting...pick a tool and learn how to use it.
>
> trust
>
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http://www.mp3.com/djpleiadian



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