filters, high and low cut, and try this out, use the silver gate in logic on
a break or a break piece, and let it chop the break up based on what you
have set, you can get some great little filler drums once in a while. this
is great for times when you have a break you love but it sounds too busy
layered over other things.

a good friend of mine is a drummer and I've been talking to him a lot
lately, and it always comes back to conversations about drum flow. you can
push your breaks a lot more with a sequencer and a sampler, but what you
have to always remember is that there are certain fundamentals to drumming
that should be followed as a foundation. if you get too far away from that
it will sound too busy and ultimately will lose it's rhythmic properties.
but then again this is really grey area i guess...

vince


----- Original Message -----
From: "Daniel Norman" <[EMAIL PROTECTED]>
To: "Drum & Bass Arena Discussion List" <[EMAIL PROTECTED]>
Sent: Monday, March 11, 2002 11:19 AM
Subject: [dnb-prod] Beatz and places


> Hi
>
> Just wondering how most people go about making their programmed beats ride
> nice and tight (does anyone manages to consistently approach the standards
> of people like C4C, Matrix etc)?
> I get the main beat placement right, but the additional parts often sound
> slightly stilted or awkward and not very inspiring so i usually dig out
some
> breaks and go off in that route...lazy but more gratifying when you don't
> have that much time...
>
> I guess this may be the lack of the invisible ghost hit magic that is used
> to fill in the gaps and get the flow going, but I was looking for some
tips
> on getting the beats to run nicely.
>
> Any ideas?
>
> Dan
>
> PS - bought a PCI modem today so you might hear some tunes in the future
if
> all goes well.
> I need to make a mini website first tho for a place to upload my tunes
> (really not too sure about giving away the copyright to my music, cos you
> never know)....
>
> Damn, I'll be struggling with Dreamweaver for a while now (or ask a mate
to
> do it...) Paul - thanks for the CD.
>
>
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