Hi

Its a bit of both and their real worth in terms of production can only be
judged by the final results - no-one will care how it was made if it turns
out to be a cracking tune. 

I mean you could assemble a track piece by piece over several weeks and not
play much or any of the sections in actual real time and it could be amazing
(see most of Photeks earlier beats like on UFO or The Seven Samurai Remix
for example - painstaking detail) or you could play beautiful riffs and
melodies over subtler beats if your a good keys player (like Intense from
Good Looking records playing live or stuff like Omni Trio, PFM etc). Or you
can combine the two and be a real f*kin genius...like Klute, Accidental
Heroes, Total Science, MISTICAL and 4Hero etc ;-)

Its just what it sounds like at the end that matters and so go get your
samples from anywhere you like...Peeps dissed the original hiphop artists
when they sampled old records saying it wasn't right and now 20yrs has
passed the purists say you can only sample from vinyl not CD or elsewhere -
I'm sure in 2020 there will be another format that is taboo for the snobs
but at the end of the day people should just get over it and make good
music.

Cheers

Dan 


PS - Don't get intimidated by impatience by others..


-----Original Message-----
From: Paul Lawler [mailto:[EMAIL PROTECTED]]
Sent: 04 April 2002 19:44
To: Drum & Bass Arena Discussion List
Subject: [dnb-prod] Re: The Golden Rule (yawn)...


>>is it really the golden rule to have to mash and filter sounds beyond
>>recognition ? the compilation CDs i bought last week are like a homage
>>to the Roland JV1080 pre-sets. Now thats lazy !!!! yet these guys are
>>signed and released by Beechwood music .


>Here he goes again, drawing attention to himself by capitilizing the
>subject line.  I need therapy.   Its just that this point needs to be made
>to the newbies who always want simple, easy answers to things:

I cant work out if this comment is aimed at me or not . I mean I wrote the
JV1080 comment, BUT ! its only the 3rd email i ever sent to this list, so
where does the "here he goes again" etc fit in to things .I`m a newbie to
the list and the genre, and I`m merely questioning topics on the list to
gain a better understanding of what it takes to produce D&B .



>THE GOLDEN RULE IS TO PUT WORK INTO YOUR TRACK.


I dont believe that sampling a loop from some obscure record , putting it
through a few filters and then triggering it at different pitches in time
with a drum loop can be seen as drastically harder work than using sample
CDs (not only D&B CDs mind you) Both of these ways of working could justify
your phrase of "I did nothing but sample this".

Now if you are one of the (what seems to be from the CDs Ive heard) few
people that actually compose and perform elements of your songs, then thats
different .
Taking a loop from a sample CD or taking a loop from somebody eles track is
paramount to same thing, but with a bit more fiddling . This isn`t composing
as I see it , its assembling .But maybe thats what D&B is all about ? I dont
know, as i said , this is a new world to me .

Paul








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