If it was c7 i.e. C, E, G, Bb (not c minor 7), in traditional harmony you might say that it would want to resolve to an f major as c7 is the dominant chord of the f key. In dnb all these rules usually go out the window.
al -----Original Message----- From: Nikola Fox [mailto:[EMAIL PROTECTED]] Sent: 01 September 2002 14:38 To: Drum & Bass Arena Discussion List Subject: [dnb-prod] Re: music theory Q > well, you should look at your A# as a Bb... which as you said is the min7th > of the Cm key that you're in... of course that's why it sounds right... > because > it is... it's not an off note hmm.. you're right. but, isn't that kind of thing supposed to create some kind of "tension" that makes it want to resolve back to C? sort of like resolving a sus4 chord to a normal major chord, if you know what i mean. peas, juice --- Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk You are currently subscribed to dnb-prod as: [EMAIL PROTECTED] To unsubscribe send a blank email to [EMAIL PROTECTED] __________________________________________________ Do You Yahoo!? Everything you'll ever need on one web page from News and Sport to Email and Music Charts http://uk.my.yahoo.com --- Drum&Bass Arena Producers Discussion List http://www.breakbeat.co.uk You are currently subscribed to dnb-prod as: [email protected] To unsubscribe send a blank email to [EMAIL PROTECTED]
