back in the olden days when I was a surveyor for an oil company, we were 
required to write legible field notes with a No. 7 pencil or harder.  No 
erasures were allowed and changes were made by drawing a single horizontal 
line through the entry and initialing. This helped ensure honest, clear 
records.  Finally, even if the field book was soaked by rain or dropped in 
the Manistee swamp and mud made the writing illegible, you could still 
discern the imprint and transcribe the field data.

For what it's worth.

---chris

Christopher J Wells, Geographer
National Wetlands Research Center, USGS
700 Cajundome Blvd
Lafayette, LA 70506

Office:  337 266 8651
Cell:     337 288 0737
[EMAIL PROTECTED]





Wayne Tyson <[EMAIL PROTECTED]> 
Sent by: "Ecological Society of America: grants, jobs, news" 
<[email protected]>
06/07/2007 05:26 PM
Please respond to
Wayne Tyson <[EMAIL PROTECTED]>


To
[email protected]
cc

Subject
Archival media   Pencils pens and pixels   Re: Field Notes: Permanence






One way to look at all this is to consult ancient manuscripts, or at 
least those a hundred years old or so.  Somewhere, perhaps in that 
most permanent (or transitory?) of records, cyberspace, there must be 
a study of this that assembles anecdotes into data.

In my own experience, including confused remembrances of looking at 
100+ year-old herbarium sheets with both ink and graphite on them, 
most, but not all of the ink notes are most legible, but then, I 
don't know the composition of the ink and how it combines with the 
paper.  I suspect that as long as the graphite stick to some part of 
the paper, it should remain readable, but perhaps not so easy to read 
as the best ink.  More recently, I have stuck to pencil, mainly 
because I haven't taken the time to check out the modern inks--all I 
"know" is that some of the "pens" I've grabbed at the Big Box have, 
despite their makers' claims, not lived up to their billing.  So I am 
happy to learn about brand names that others have shared here, and 
plan to go shopping.  On the economic/practical front, I don't know 
how many pencils add up to an eight-dollar pen, but then what's the 
cost of a pen against ending up with unreadable records?

I trusted the makers of various media, such as audio cassettes, 
floppy disks, and the early word-processors to commit my works of 
"genius" to future generations, but alas, to coax them to give up 
their secrets, one must go to a lab that would make the FBI's look 
like a finger-painting classroom, and pay accordingly.  Similarly, I 
need to make a decision about the slides (that have not been stolen) 
and prints and negatives mouldering in a warehouse--should I pay 
thousands to have them transferred to digital form?  It appears that 
even the best CD's are not that good, and who knows what technology 
will do about antiquating them in a couple of seconds of accelerating 
history?  "Hard" drives are expensive, and also likely to be 
technologically eclipsed.

Rot, rot, rot.  A hundred years from now, will anyone know the 
difference?  Will anyone care?  If only the library at Alexandria had 
been on plastic CD's we would still be able to read the wisdom of the 
ancients, eh?  Are we all really a million chumps on a million 
typewriters whose babel will tower into a bible one of these days, or 
if that's all there is, should we just keep dancin'?  Gotta take 
another bike ride . . .

Cheerfully,
WT

At 10:32 AM 6/7/2007, Melissa McCanna wrote:
>Dear All:
>
>I used the Pigma Microns consistently throughout college (16 years 
ago).=C2=
>=A0 I recently discovered that the black "pigment" Micron writing in my 
pers=
>onal journals from that time period=C2=A0is fading and bleeding.=C2=A0 As 
an=
>  amateur papermaker and bookbinder, I can reasonably argue it is 
possible th=
>at the paper is so poorly made that it is the chemicals in the paper that 
ar=
>e causing the fading, not the Micron pigment itself that is fading.=C2=A0 
Re=
>gardless, after 16 years in a book on a shelf, these Micron writings are 
fad=
>ing, but still legible.
>
>For field work these days, I use ballpoint pen on paper, and Sharpies on 
pla=
>stic or wood.=C2=A0 However, Sharpie markings, if in the sun even for a 
coup=
>le of hours a day, fade after a year or less.=C2=A0=C2=A0If the Sharpie 
mark=
>ings are in the shade, they can last about 3 years.=C2=A0=20
>
>-Melissa McCanna
>Arlington, VA
>
>-----Original Message-----
>----------------------------------------------------------------------
>
>Date:=C2=A0=C2=A0=C2=A0 Wed, 6 Jun 2007 06:52:06 -0400
>From:=C2=A0=C2=A0=C2=A0 "Quinn, Michael J Dr USACHPPM" 
<[EMAIL PROTECTED]
>US.ARMY.MIL>
>Subject: Re: Pens or pencils for field notes (UNCLASSIFIED)
>
>Classification:=C2=A0 UNCLASSIFIED=20
>Caveats: NONE
>
>When working as an assistant curator for a museum, the Pigma Micron pens
>from Sakura Color Products Corp, Japan were prized for their permanence.
>They use pigment ink, are available in a number of colors and point
>sizes, and are available in many of the larger arts & crafts 
stores.=C2=A0=20
>
>Mike
>
>
>Michael J. Quinn Jr, PhD
>Toxicologist
>Health Effects Research Program
>Directorate of Toxicology
>U.S. Army Center for Health Promotion and Preventive Medicine
>Aberdeen Proving Ground, MD 21010-5403
>P: 410-436-4164
>F: 410-436-8258
>
>
>------------------------------
>
>End of ECOLOG-L Digest - 5 Jun 2007 to 6 Jun 2007 (#2007-155)
>*************************************************************
>
>
>________________________________________________________________________
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