Université Paris 1 Panthéon-Sorbonne 
Institut des sciences juridique et philosophique de la Sorbonne (UMR8103) 

Centre de philosophie contemporaine de la Sorbonne (PhiCo) 




La pensée du cinéma 
The Thought of Movies 
En hommage à Stanley Cavell (1926-2018) 

Colloque International 
International Conference 
Université Paris 1 Panthéon Sorbonne 
Cinéma Le Champo 

Paris, June 11th, 13th-15th, 16th 2019 

Avec le soutien de/ sponsored by : 
Institut Universitaire de France 
Institut d’Asie Orientale, ENS de Lyon 
Institut Acte, Université Paris 1 
Programme JSPS/CNRS Education to Democracy 
Editions Vrin 
Editions Flammarion 




PROGRAMME 

Tuesday, JUNE 11th, 2019 
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris 
20h – Opening of the Champo “Cavell Festival”: A. de Baecque, E. Domenach, S. 
Laugier 
Comment je me suis disputé… (ma vie sexuelle) (1996, 2h58) English subtitles 
presented by Arnaud Desplechin 


Thursday, JUNE 13th, 2019 
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris 
18h - Welcome 
Sandra Laugier (Université Paris 1 Panthéon Sorbonne), Elise Domenach (ENS 
Lyon) 

18h15 William Rothman (University of Miami): The Same Again, Only a Little 
Different: Cavell's Two Takes on The Philadelphia Story 
19h Letter form an Uknown Woman , Max Ophüls, 1948, presented by Marc Cerisuelo 
(Université Marne La Vallée) 
20h30 Cocktail 


Friday, JUNE 14th, 2019 
Université Paris 1 Panthéon Sorbonne 
17 rue de la Sorbonne 75005 Paris 
UFR de philosophie, salle Cavaillès, Escalier C, 1 er étage 

Chair: Piergiorgio Donatelli (Universita Roma La Sapienza) 
9h Stephen Mulhall (Oxford University) ‘ The Alphabet of Us’: Miracles, 
Messianism and the Baseline Test in Blade Runner 2049 
9h45 Naoko Saito (Kyoto University) What measures justice? What justifies 
happiness?: Mr. Deeds Goes to Town 
10h15 Discussion 

10h30 Ethics of Film 
Chair: Alice Crary (Oxford University) 
Piergiorgio Donatelli Filming democracy: reciprocity and irony 
Victor Krebs (University Pontifical Lima) Film as Praise 
Hugo Clémot (Tours) Cinéthique et perfectionnisme 
Daniele Lorenzini (Université Saint-Louis - Bruxelles & University of Warwick) 
From Recognition to 

14h Genres: Remarriage, Melodrama 
Chair: Russell Goodman (University of New Mexico) 
Martine de Gaudemar (Université Paris Nanterre) Cavell et le monde des femmes 
Grégoire Halbout (Université de Tours) De la comédie du remariage à la comédie 
screwball 
David LaRocca (Cornell University) Watching Home Movies with Stanley Cavell 

15h30 Popular Culture 
Chair: Victor Krebs 
Philippe Corcuff (Science Po Lyon) Figures de la théorie critique et de la 
désobéissance dans le jeu de langage cinématographique, avec Cavell, au-delà de 
Cavell 
Sandra Laugier (Université Panthéon Sorbonne, ISJPS) Ordinary Ethics and 
Popular Culture 
Pauline Blistène (Univ. Paris 1) The Thought of TV Series: Realism and 
Education 

Chair: Elise Domenach (ENS Lyon, IAO) 
17h30 Paul Standish (UCL) Between loud mouths and thin lips: confidence, 
profession, and the aesthetics of philosophy 
18h D.N. Rodowick (University of Chicago) Cavell, Community, and Contemporary 
Art 

19h15, Librairie Vrin 6 place de la Sorbonne 
Book presentations: 
La Projection du monde ( The World Viewed ), Belin, 1999, new edition, Vrin, 
2019 

Philosophie des salles obscures ( Cities of Words ), 2011, reprint, Flammarion 

Saturday, JUNE 15th, 2019 
Université Paris 1 Panthéon Sorbonne 
17 rue de la Sorbonne 75005 Paris 

Sessions 9h-10h45 

9h00-10h45 Session 1, Salle Lalande UFR de philosophie Univ. Paris 1, Escalier 
C, 1 er étage 

Moral Education , chair Pierre Fasula (ISJPS, Paris 1 Panthéon Sorbonne) 
Léa Boman (Univ. Paris 1) Ordinary Life, self-reliance and emersonian 
perfectionism in Cities of Words 
Christian Walter (FMSH, ISJPS ) A difficulty of moral perfectionism: the role 
of money in Chariots of fire (1981 ), Rush ( 2013) and Everest (2015) 
Yves Erard & Francis Mobio (Université de Lausanne ) Stanley Cavell and Robert 
Gardner's anthropological cinema: projecting self-evidence? 
Kate Rennebohm (Harvard University) Reviewing Moral Perfectionism 
Eric Ritter (Vanderbilt University) Gender, Remarriage Comedy, and New 
Television in the work of Judd Apatow 

9h00-10h45 Session 2 Salle de formation de la Bibliothèque Interuniversitaire 
de la Sorbonne 
Realism, chair Marco Dell’Omodarme (Paris 1 Panthéon Sorbonne-ACTE) 
E. Hallé Saito (ENS Lyon) Cinematic Realism and the Sense of Loss. Antonio 
Pietrangeli and the 
Melodrama of the Unkown Woman 
Tristan Chetrit (Univ. Paris 1) Eternal Sunshine of the Spotless Mind: A Comedy 
of Remarriage? 
Olivia Poiatti (ISJPS) Women's voice in film and the legacy of opera: a matter 
of desire 
Matthew Congdon (Vanderbilt) What is a Type? Individual and Species in The 
World Viewed 
Vincent Zeis (Univ. Montréal) Stanley Cavell and Quentin Tarantino - Kill Bill 
(2003) read 
through Contesting Tears: The Melodrama of the Unknown Woman (1996) 

11h 
Centre Panthéon, 12 place du Panthéon, 75005 Paris salle 216 2 e étage 

Chair: Sandra Laugier 
11h Richard Moran (Harvard University) Cavell sur l'activité et la passivité 
dans l'expression photographique 
11h45 Paola Marrati (Johns Hopkins University) La quête de l’existence. Sur The 
World Viewed et Gaslight 


Centre Panthéon, 12 place du Panthéon, 75005 Paris salle 216 2 e étage 

14h-15h45 What Becomes of Things on Screen 
Chair: Paola Marrati 
Jean-Philippe Narboux (Bordeaux Montaigne) The Thought of TV Series 
Byron Davies (UNAM) Accidents Made Permanent: Theater and Automatism in Stanley 
Cavell 
Christian Martin (Universität Leipzig) The Invisible on Screen 
Martin Shuster (Goucher College) Screen and World 


16h-17h45 Cavell at Criticism 
Chair: José Moure (Université Paris 1 Panthéon-Sorbonne, ACTE) 
Marc Cerisuelo Philosophie, cinéphilie, critique 
Murielle Joudet ( Le Monde) A la recherche du Woman's picture 
Elise Domenach (ENS Lyon) Film criticism: rethinking the « aesthetic 
possibilities » of the medium 
Andrew Klevan (Oxford University) Cavell at (Film) Criticism 

Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris 

18h Le Rayon Vert (Eric Rohmer, 1986), English subtitles, presented by Antoine 
de Baecque (ENS Ulm) 


Sunday, JUNE 16th, 2019 
Cinéma Le Champo, 51 rue des Ecoles, 75005 Paris 

14h The Awful Truth (Leo McCarey, 1937 ) presented by Sandra Laugier and David 
Cavell 





Organization 
Sandra Laugier, Université Paris 1 Panthéon Sorbonne 
Elise Domenach, Ecole Normale Supérieure de Lyon 

Speakers 
Pauline Blistène (Université Paris 1 Panthéon-Sorbonne) 
Marc Cerisuelo (Université Marne La Vallée) 
Philippe Corcuff (Science Po Lyon) 
Alice Crary (Oxford University) 
Antoine de Baecque (ENS Paris) 
Martine de Gaudemar (Univ Paris X Nanterre) 
Byron Davies (UNAM) 
Marco Dell’Omodarme (Université Paris 1 Panthéon-Sorbonne, ACTE) 
Piergiorgio Donatelli (Roma La Sapienza) 
Pierre Fasula (ISJPS, Université Paris 1 Panthéon Sorbonne) 
Russell Goodman (University of New Mexico) 
Grégoire Halbout (Université de Tours) 
Andrew Klevan (Oxford University) 
Victor Krebs (Université Pontificale Lima) 
David LaRocca (Cornell University) 
Daniele Lorenzini (Centre Prospéro, Université Saint-Louis – Bruxelles) 
Paola Marrati (Johns Hopkins University) 
Christian Martin (Universität Leipzig) 
Richard Moran (Harvard University) 
José Moure (Université Paris 1 Panthéon-Sorbonne, ACTE) 
Stephen Mulhall (Oxford University) 
Jean-Philippe Narboux (Université Bordeaux Montaigne) 
D.N. Rodowick (University of Chicago) 
William Rothman (University of Miami) 
Naoko Saito (Kyoto Univeristy) 
Martin Shuster (Goucher College) 
Paul Standish (University College London) 

Sessions: 
Léa Boman (Université Paris 1 Panthéon Sorbonne) 
Tristan Chetrit (Université Paris 1 Panthéon Sorbonne) 
Matthew Congdon (Vanderbilt University) 
Yves Erard (Université de Lausanne) 
Esther Hallé Saito (ENS Lyon) 
Francis Mobio (Université de Lausanne) 
Olivia Poiatti (Univ. Paris 1) 
Kate Rennebohm (Harvard University) 
Eric Ritter (Vanderbilt University) 
Christian Walter (FMSH, ISJPS) 
Vincent Zeis (Univ. Montréal) 



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