Séminaire international :

  « Pour une anthropologie culturelle warburgienne : méthode et 
perspectives »


Coorganisé par l’UMR 8547 Pays Germaniques / Transferts Culturels) (ENS),

l’UMR 7172 THALIM (CNRS/Paris 3/ENS),

l’EUR Translitterae

et l'Institut de philosophie de l'Académie des sciences de la République 
tchèque (FLÚ - AV ČR).

Séance inaugurale, en ligne :

MARDI 18 MAI 2021 de 10h à 12h

Modération : Lara Bonneau (FLÚ-AV ČR)

  Giovanna Targia (Kunsthistorisches Institut, Zürich):

   « Periodicity, Rhythm, Ausdruckswertbildung. On Aby Warburg's 
Anthropological Approach to the History of Style »

Mildred Galland-Szymkowiak (CNRS - Thalim/ENS)

  « Une source de Warburg : « Das Symbol » de Friedrich Theodor Vischer 
(1887) »


En visioconférence

Pour obtenir le lien ou s’informer: bonn...@flu.cas.cz 
<mailto:bonn...@flu.cas.cz>, mildred.gall...@cnrs.fr 
<mailto:mildred.gall...@cnrs.fr>

Coordination : Lara Bonneau (FLÚ-AV ČR), Mildred Galland-Szymkowiak 
(CNRS-Thalim/ENS)
et Carlotta Santini (CNRS-Pays Germaniques/ENS)
Informations en ligne <http://www.umr8547.ens.fr/spip.php?article720>

Argument :

Over the past decades, Aby Warburg has been recognized as a leading 
figure in art theory. By insisting on the powers of the image, however, 
the prevailing contemporary reception of Warburg's work tends to forget 
the fact that his method aspired to develop a historical science of 
culture (Kulturwissenschaft) and more particularly a science of art 
(Kunstwissenschaft). The multifocal construction of his method which 
combines art history, cultural history, biology, psychophysiology, 
philosophy and anthropology, delineates the boundaries of an aesthetic 
that should encompass all aspects of sensitive life and be attentive to 
the emotional-pathetic and perceptive aspect of our being in the world. 
Stepping aside from those contemporary interpretations that emphasize 
Warburg's fascination with images and their magical concretions, this 
workshop aims at reassessing the gnoseological aspect of his work. The 
investigation of "geographical migrations" of symbols, of cultural 
transfers during the Renaissance, as well as of historical metamorphoses 
and formal survivals (Nachleben) from Antiquity to the present day, call 
upon the use of research tools, deriving from a series of academic 
disciplines: from the historical-critical method of philology to the 
aesthetics and theories of form of the late 19th century, as well as the 
diffusionist theories of anthropology. By seeking to restore the lines 
of force that structure Warburg's science of art, we will show it was 
directed towards the ambitious project of forging – through the study of 
artistic and extra-artistic symbols – an anthropology in the sense given 
to this word in the 18th century: a "science of man". We will thus pay 
specific attention to the core of Warburg's cultural anthropology: the 
idea of Man in his substantial capacity to be "expressive".


-- 
Dominique Lainey
UMR 8547 Pays germaniques - Archives Husserl
Ecole normale supérieure
45 rue d'Ulm - 75230 Paris Cedex 05
Tél.  : 01 44 32 30 09 / Fax : 01 44 32 31 22
email :dominique.lai...@ens.psl.eu



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