During the CQ 160 contest, I found myself leaving the APF on and using 
that on top of a .4 KHz DSP bandwidth.  Signals just jump up as you tune 
across, making zeroing easy even for someone like me that has very 
little tone discrimination ability.  Of course, I got used to doing this 
with a TS-930, and have relatively high tolerance for ringing and 
distortion.

73, Pete N4ZR

The World Contest Station Database, updated daily at www.conteststations.com
The Reverse Beacon Network at http://reversebeacon.net, blog at 
reversebeacon.blogspot.com,
spots at telnet.reversebeacon.net, port 7000



On 1/31/2011 6:52 PM, Don Wilhelm wrote:
>    Richard,
>
> While "common logic" will say to adjust the spot volume to match the AF
> gain level of the signal to be spotted, that is too much trouble and
> involves a lot of "button pushing and knob twiddling".
>
> A simpler solution is to just adjust the AF Gain control to bring the
> signal down to the spot tone level.  That works no matter where the
> spot/sidetone level may be set.
>
> Try it, it works and is a lot faster than trying to change the
> spot/sidetone level.
>
> 73,
> Don W3FPR
>
> On 1/31/2011 6:45 PM, Richard wrote:
>> These two sounds are intended for two entirely different psychoacoustic 
>> tasks.  The spot function involves perception of the pitch of the tone.  The 
>> monitor function involves merely hearing the presence of the tone, and 
>> intervals of absence of the tone.
>>
>> The effectiveness of these sounds is different as their respective volume 
>> changes.  If precisely the same loudness works equally for both, it is 
>> probably a fortunate coincidence.
>>
>> There is every reason to provide two separate volume controls.   ....and no 
>> useful reason for them to be adjusted by a single volume control.
>>
>> Richard  K5BWV
>>
>> Sent from my iPhone
>>
>> On Jan 31, 2011, at 15:47, Scott Ellington<[email protected]>   
>> wrote:
>>
>>> How about independent control of sidetone and spot level?
>>>
>>> Scott  K9MA
>>>
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