----------empyre- soft-skinned space----------------------
Thanks to all of you who participated in the first week. As many of us, 
including myself, will be attending the SCMS conference next week in Toronto, 
responses may arrive a little late. But please feel free to jump in anytime and 
respond to the discussions we started in week 1. 

Meanwhile, we have three more guests to join us in week 2:

Eleonora Oreggia

Eleonora Oreggia (aka xname) is a London based interdisciplinary artist from 
Milan (IT), making performances and interactive installations. She studied at 
DAMS (Drama Art and Music Studies) in Bologna then worked in Amsterdam at NIMK 
(Netherlands Institute for Media Art) and at Jan van Eyck Academie in 
Maastricht (NL). In London she has been awarded an MPhil from Goldsmiths 
College and is completing a fully funded PhD in Media & Arts Technology at 
Queen Mary University of London. Her live compositions transform light and 
other electromagnetic frequencies in sound waves through self-built 
synthesizers and complex semi chaotic machines.

http://xname.cc
http://nebularosa.net
https://soundcloud.com/xname

Wenhua Shi

Wenhua Shi pursues a poetic approach to moving image making, and investigates 
conceptual depth in film, video, interactive installations and sound 
sculptures. His work has been presented at museums, galleries, and film 
festivals, including International Film Festival Rotterdam, European Media Art 
Festival, Athens Film and Video Festival, Ann Arbor Film Festival, Pacific Film 
Archive, West Bund 2013: a Biennale of Architecture and Contemporary art, 
Shanghai, Shenzhen & Hong Kong Bi-City Biennale of Urbanism, and the Arsenale 
of Venice in Italy. He has received awards including the New York Foundation 
for the Arts, the New York State Council on the Arts, and Juror's Awards from 
the Black Maria Film and Video Festival.

Joo Yun Lee

Joo Yun Lee is a PhD Candidate, curator, and writer working on the intersection 
of art, science, and technology in contemporary art and visual culture. Her 
research focuses on the technological modes of production, distribution, and 
reception of technical images, intermedia performance and installation, sound 
art, and architecture from the 1960s to the present crossing regional 
boundaries. She is finishing a dissertation "Sensible Communities: The Viewer's 
Speculative-sensible Experience in Ryoji Ikeda's Audiovisual Installation and 
performance of Data Composition." She was awarded Fulbright Graduate Study 
Award and was a 2013-2014 Helena Rubinstein Curatorial Fellow in the Whitney 
Museum's Independent Study Program, and teaches at the Pratt Institute in New 
York. 

Junting Huang
Department of Comparative Literature
240 Goldwin Smith Hall
Cornell University
Ithaca, NY 14853



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