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To all, I follow messages but never posted.
Indira Montoya is the director of hipermedula.org, a digital platform for the
arts and cultural work in Iberoamerica.
She works as an artist in the performance field and also in new media and
poetry.
Teaches literature and cinema in University in Córdoba, Argentina.
Worked as a photographer for many years.
Here last works can be found here:
http://cargocollective.com/indira
Indira Montoya
http://www.hipermedula.org // Plataforma Cultural Iberoamericana
http://www.micromundo.net
http://www.facebook.com/indiramontoya
twitter: @mariposafuriosa
skype: mariposafuriosa
________________________________
From: Lucia Santaella <lbr...@pucsp.br>
To: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
Sent: Monday, July 1, 2013 1:27 PM
Subject: Re: [-empyre-] empyre subscribers...this is the last day to post your
projects, bios, interests!!
I have never posted any message, but I follow with great interest what appears
in Empyre.
Lucia Santaella is full professor at São Paulo Catholic University (Pucsp),
PhD in Literary Theory (1973-PUCSP) and in Communication Sciences (1993-São
Paulo University). Head of the post-graduate program in Technologies of
Intelligence and Digital Design (Pucsp), one of the honorary Presidents of the
Latin-American Federation of Semiotics and member of the Argentinian Academy
of Fine Arts, and President of the Charles S. Peirce Society, USA , 2007. I
have published 39 books, organized 11 books, and also published around 300
articles in journals and books in Brazil and abroad. I was awarded with 3
Jabuti Prizes, for the best published books in 2002, 2009, 2011, also awarded
with the Nelson Motta prize in Art and Technology (2005), and the Luis Beltrão
prize for my career, 2010.
Am 01.07.2013 16:15, schrieb Paul Vanouse:
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>
>Hi Renate and empyre,
>hope this is ok.
>cheers,
>paul
>
>
>Paul Vanouse has been working in emerging media forms since 1990.
>Interdisciplinarity and impassioned amateurism guide his art practice. His
>electronic cinema, biological experiments, and interactive installations have
>been exhibited in over 20 countries and widely across the US. Venues have
>included: Walker Art Center, Albright-Knox Art Gallery, Carnegie Museum, Andy
>Warhol Museum, New Museum, Museo Nacional de Bellas Artes in Buenos Aires,
>Louvre in Paris, Haus Der Kulturen Der Welt, Berlin, Zentrum fur Kunst und
>Medientechnologie in Karlsrhue, Centre de Cultura Contemporania in Barcelona,
>and TePapa Museum in Wellington, New Zealand.
>
>Recent solo exhibitions include: Schering Foundation in Berlin
(2011), Kapelica Gallery in Ljubljana (2011), Muffathalle in
Munich (2012), and Beall Center at UC Irvine, California
(2013). This work has been discussed in journals including: Art
Journal, Art Papers, Art News, Flash
Art International, Leonardo, New Scientist, New Art
Examiner, New York Times and numerous academic books on art and
technology.
>
>Vanouse’s artworks have been funded by Renew Media Arts
Fellowship (formerly known as Rockefeller New Media Fellowship,
2008), Creative Capital (2006), New York State Council on the
Arts project grant (2000, 2005), New York Foundation for the
Arts Fellowship (2002), Pennsylvania Council on the Arts project
grants (94, 95, 98), PCA Fellowship (98), Mellon Charitable
Trust (98), Heinz Foundation (98), Pennsylvania Humanities
Council (98), Sun Microsystems equipment grant (2000), National
Science Foundation (1997). He has received awards at festivals
including Prix ARS Electronica (2010 and 2007) in Linz, Austria,
and Vida, Art and Artificial Life competition (2002, 2011), in
Madrid, Spain. Museum commissions include the Walker Art Center
for “The Consensual Fantasy Engine online” (1998), and the Henry
Art Gallery in Seattle for “The Relative Velocity Inscription
Device” (2002).
>
>Vanouse is a Professor of Visual Studies at the University at
Buffalo, NY. He has been a Senior Artist at Banff
Center, Alberta, Canada (2011), Foreign Expert at Sichuan Fine
Arts Institute, China (2006) Honorary Research Fellow at
SymbioticA, University of Western Australia (2005), Visiting
Scholar at the Center for Research and Computing in the Arts, UC
San Diego (1997), and Research Fellow at the Studio for Creative
Inquiry, Carnegie Mellon University (1997-2003). He holds a BFA
from the University at Buffalo (1990) and an MFA from Carnegie
Mellon University (1996).
>
>For the past decade, Vanouse has been specifically concerned
with forcing the arcane codes of scientific communication into
a broader cultural language. In The Relative Velocity
Inscription Device (2002), he literally races DNA from his
Jamaican-American family members, in a DNA sequencing gel, in
a installation/scientific experiment that explores
the relationship between early 20th Century Eugenics and
late 20th Century Human Genomics. The double entendre of
race highlights the obsession with “genetic fitness” within
these historical endeavors. Similarly, his recent projects,
“Latent Figure Protocol” (2007), “Ocular Revision” (2010) and
“Suspect Inversion Center” (2012) use molecular biology
techniques to challenge “genome-hype” and to confront issues
surrounding DNA fingerprinting.
>
>
>
>
>On Jun 29, 2013, at 10:45 PM, Renate Ferro wrote:
>
>----------empyre- soft-skinned space----------------------It has been
>incredibly great to read about so many of your projects. We are hoping that
>many of you will take this last day of June to respond to our call.
>>Whether you are a participant or a lurker please let us know what your
>>current projects are and post a short bio. Thanks to all of you this month
>>who have shared. Thanks. Renate
>>
>>
>>
>>
--
>>
>>Renate Ferro
>>Visiting Assistant Professor of Art
>>Cornell University
>>Department of Art, Tjaden Hall Office #420
>>Ithaca, NY 14853
>>Email: <r...@cornell.edu>
>>URL: http://www.renateferro.net
>> http://www.privatesecretspubliclies.net
>>Lab: http://www.tinkerfactory.net
>>
>>Managing Co-moderator of -empyre- soft skinned space
>>http://empyre.library.cornell.edu/
>>http://en.wikipedia.org/wiki/Empyre
>>
>>
_______________________________________________
>>empyre forum
>>empyre@lists.cofa.unsw.edu.au
>>http://www.subtle.net/empyre
>
>
>
>_______________________________________________
empyre forum empyre@lists.cofa.unsw.edu.au http://www.subtle.net/empyre
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_______________________________________________
empyre forum
empyre@lists.cofa.unsw.edu.au
http://www.subtle.net/empyre_______________________________________________
empyre forum
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