All of your film, along with all of everyone else's film would have to be
loaded onto a guarded convoy of rented trucks and transported to Tallahasse,
where it would sit untouched for a days and then samples would be given to
the Smithsonian, after which nothing would be done with any of it.
Twenty years later, the government will cut it up into small pieces and sell
it as souvenirs on eBay. The Franklin Mint will buy the whole lot in a
controversial sniping episode and imbed a single tiny chip of the
undeveloped film into each of a limited edition of 2,000,000 collector
plates likenesses of Elvis and Princess Diana.
Or something like that.
>
> But what would you do about the "Hanging Emulsion"?
> Wouldn't that jam the camera?
> And what standard would you apply to determine the
> "intent of the photographer"?
>
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