At 11:58 PM -0400 10/3/01, Julian Loke wrote:
>Oh, you mean (in)famous "developments" like barcodes! Or self-timer 
>music? Or the built-in intervalometer? Or interchangable grips? Or 
>fancy shiny paint? Or a grip extender that's just a bit rubbery 
>wedge, with no way to attach to a tripod.

  Smartass. :) For some reason I'm feeling a little deja-vu here, but 
here's my rather long and rambling reply:

  Most of the innovative ideas in Canon's contemporary SLR lineup were 
developed in the mid 80s to early 90s - either by Canon or following 
other SLR makers. Stuff like Colani's curved plastic body design with 
big hand grips (T90), modern user interface with logic-controlled 
functions (T90), multi-spot metering (T90), program shift (T90), 
autofocus (T80 and EOS 650), automated TTL flash (T90 & 300TL), 
multiple coreless motors (T90), putting the focus and aperture 
diaphragm motors into the lenses (EOS), lithium batteries (EOS), data 
backs that can interface with personal computers (T90 DMB databack 
and EOS 600 series TB-E), evaluative metering with multiple metering 
zones (EOS 650), illuminated top-deck LCDs (EOS 620), focus 
prediction (EOS 630?), PIC programs (T80 sort of, EOS 600/630), 
integrated flashes in camera bodies (EOS 750), film prewind on 
consumer bodies (EOS 750), multiple focus points (EOS 10), quiet film 
transport mechanisms (EOS 100/Elan), custom functions (EOS), cross 
focus sensors (EOS 1), camera shake detection (EOS 10), dual (top and 
rear) command dials (T90 and EOS 1 respectively), automated DEP 
calculations (not sure), ultrasonic lens motors and full-time manual 
(EF 300mm 2.8 L), infrared remote controls (T90 and, built-in, EOS 
10), ECF eye controls (EOS 5/A2), image stabilizing lenses (EF 75-300 
IS), E-TTL and FP flash (EOS 50/Elan II?) - all this stuff was 
basically released between 1986 and 1995. And since most of it came 
out with the T90 and early EOS cameras, we're really talking 
1986-1990 or so. I may have a few specific details wrong, but you get 
the gist.

  Since then it's basically been about refining existing ideas (adding 
more and more focus points and metering zones, making ECF faster) and 
making things cheaper (moving USM into consumer products, putting 
plastic lens mounts and porroprisms into low-end models, etc). The 
only really significant developments in the past 5 years I can think 
of are basically improved water and dust sealing for the 1v and 
certain L lenses, wireless flash, and DO lenses. (can anyone think of 
any others? The Elan 7/EOS 30's focus point selection keys?) I think 
it's clear that Canon know that film-based cameras are a sunset tech 
and are moving much of their development energy elsewhere.

  And sure, ideas like barcode readers, self-timer tunes, reversible 
mode dials, powered zoom lenses, etc, were flops, but at least stuff 
like that shows they were trying new ideas. Even dumb ones. Indeed, a 
lot of stuff in the 90s could be seen as steps back. Fewer models 
with interchangeable backs and finder screens, sacrificing low-light 
AF sensitivity for speed, selling cameras that can't accept battery 
grips, etc., reflects more of a mass-produced consumer attitude.

  By contrast, it's interesting to see the explosion of development in 
the digital end of things. Camera designers, free of the restrictions 
imposed by film transport mechanisms, are designing all kinds of 
weird and wacky P&S body shapes. They're also finally thinking in 
terms of cameras as computers and computer peripherals and using CPU 
for user interface purposes, the way cell phone designers have been 
doing stuff that designers of regular wired phones, locked into their 
Bell System ways, couldn't seem to break free from. Sure, a lot of 
random stuff is designers throwing all the crap they can think of 
against the wall to see what sticks, but hey - that makes things fun!

  So it's interesting to me and a little bit sad to think we're 
witnessing the end of film cameras as a commercially viable 
mass-market item. And, just as the complex and fancy linear-tracking 
turntables of the early 80s represented the pinnacle of record player 
design before the whole market was inundated with CDs, so I think 
cameras like the 1v will represent the pinnacle of technological 
achievement for silver halide technology.

  Phew. Ramble over.

  - Neil K.

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