>
> Sounds like the argument I remember about why monaural is better than
> stereo, why vinyl LPs are better than CDs, or how about this, why mechanical
> cameras are better than electronic.

Hmm. I'm not really interested in this argument re: IS--personally IS doesn't
interest me in fast lenses except for the big teles, and I don't feel any need
for it in my 28-70L, but that doesn't mean others can't have valid reasons to
find it useful. However, mono is often better than stereo in some instances, for
example in almost any recording of popular music made before about 1968, when
engineers and producers finally began to brake away from the hard left/hard
right separation of instruments and voices (and some performers, such as the
Beatles, put a lot more effort in their mono mixes than the stereo mixes),
although a firm date is impossible to set because many late mono issues were
simply the two-channel mix "folded" into mono. But seek out original-issue LPs
by the Beatles, Stones, Cream, Jefferson Airplane, Hendrix, and many others
including a great many jazz musicians and you'll find  the mono versions command
a higher price than do the stereo except in cases where the stereo version has a
notable scarcity value--and this is primarily because mono often sounds
significantly better than early stereo. Of course, stereo done well is usually
superior to mono--the implementation is as important (or more so) than the
technology.

And on a quality playback system most LPs in good condition--especially early
pressings--will sound better than their CD equivalents. I have a $700 CD player
and it's not even competitive with my turntable/arm/cartridge setup. Forget
about the technology--listen to the *sound.*

Now if digital music delivery had been properly implemented instead of being
rushed to market in a premature state things might be different, and by all
accounts SACD gives a glimpse of what might be possible with digital, but 16/44
"Red Book" CD is a sonic and musical disaster.

:-)

fcc



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