I'm starting a group to certify certain shows as guaranteed to get indigent
hippie girls into bed with you.  These will be known as "skank seeds."

----- Original Message -----
From: "Jamie Lutch" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, January 30, 2002 11:54 PM
Subject: [etree] Dankseeds (a bit long)


> Hi all,
> dont mean to start another thread, just wanted to shed a little light.
> Before you post comments/continue the thread, please read the bw tax...
>
> PJP Said:
> > I didn't really mean to start such a long thread.  The point of my
> > original comment was to suggest that the dankseeds group, which goes to
> > such painstaking lengths to make sure that all of the objective aspects
> > of a seed are top flight should also have some discussion of the actual
> > listenability of the show.
>
>
> When we started dankseeds, a lot of discussion went into setting the
> criteria, and the criteria were established as:
> Show is tracked well
> Show plays at least as seamlessly as the source DAT
> Show has no undocumented dae gens
> Show has lineage provided
> Show has not been unneccesarily resampled
> Show has no diginoise or dropouts
>
> any of these can be overruled if by vote, it is agreed, for example:
> to archive shows that are only available as master cass>audio cd>eac>shn
> (lotsa older gd like this)
> to archive shows where diginoise is known to be on the master (certain
phish
> sbds are like this)
>
> Focus is on listenability, but overall sound plays into that in
> non-quantifiable ways.
>
> since source comparison is so subjective for newer shows, it was not put
> into the criteria. However, a lot of pre-screening goes into the source
> selection of newer shows. Candidates must first be known to be compliant
> (full lineage from a good rig, no cuts/drops/flips,transferred on a
> bit-accurate setup with no poor resampling, and known to sound pretty
good.
> Then, samples are put up to compare, at
>
> http://groups.yahoo.com/group/dankseeds/polls
>
> a lot more goes on behind that. I generally patch out of 2 or 3 rigs, then
> usually only submit the best sounding imho before it even gets considered
by
> others
>
> as Brothercrow said:
> >     simply that at a show that has 20-50 tapers, out of those 20-50
tapers
> > only half (or less) of those recordings will get widely traded.
> >     more often than not, it is out of that half of the recordings that
the
> > dankest copy(s) will be certified. some time after that a new
> > (rare) source
> > may surface which is better (altho i doubt there will ever be one that
is
> > VASTLY better) than the copy that was "danked".
>
>
> generally, we are happy with 2 or 3 good sources. some trey shows from
this
> summer we had 5 very good versions to compare. (which was too many, I
> think!) While you can never be sure you have  _the best_ source, you can
> approach it through reasonable comparison of known good sources. so say
for
> example, you have a larger show with a decent tapers section, like a phish
> show. Say there were 4 schoeps rigs,a few neumanns, and a few b&k's. of
> these rigs, most are in the section, but there are 3 good rigs up front.
Say
> the best tape that comes out that night is a schoeps TS = 100% on some
> hypotheytical scale. Well, that taper didnt have a lot of people patched
out
> of him, and that show didnt get out in time for dankseeds comparison,
which
> compared 3 other HQ sources and another version is danked. Does that make
> the first version not dank because its not the ultimate? no
>
> While you usually cant be sure you have the 100% best tape, by comparing
> several hq sources for any given night, you should be in the 95% range 9
out
> of 10 times, which is pretty good.
>
> FOB's are a different story, they are so remarkably different from TS
tapes
> in so many ways, that FOB's are considered/danked independently from TS
> tapes.
>
> Where dankseeds shines is the seeding of older phish, pulling together the
> best from several large collections, the objective criteria such as
> completeness and cleanness become more dominant. Weve kinda moved away
from
> the danking of newer shows for awhile until most known versions surface.
>
> Occasionaly people bag on DS because a dank show doesnt sound perfect. But
> geez, when you are talking a 1980 GD cassette master straight off a
dragon,
> you have to accept it for what it is. if you got a better one, bring it
on!
>
>
> PJP said:
> > Finally, anyone who takes this as a slam on the dankseeds group, or as
> > me mocking them, is simply wrong.  These folks spend a lot of time to
> > try to get the best seed out there and we all owe them some thanks for
> > doing so.  I just think that there should be some other criteria noted
> > in the .dnk file, or whatever it is called.
>
> no offense taken, etree rules, dankseeds rules, though what each does is
> different together lots of people get lots of hq music really really fast.
> in so many ways it is a subset of etree, as dankseeds is just quantifying
> the things a seed should be as defined in the etree seeding faq...
>
> Anyway, sorry if I wasted any bandwidth, I didnt read any of this tread,
as
> I had been browsing headers, and 'etree terminology' didnt spark  my
fancy.
> I saw pjp's wrap-up comments, and wanted to make sure people knew what was
> actually up with the source comparison. Anybody who is really into
promoting
> good sources, feel free to join DS, we can always use more active people.
>
> Thus bw tax is offered as follows:
> 1. please dont reply to list. If you have questions/comments, please email
> me directly
> 2. I will take some logins on my serever for siteops who can host the
dank.
> We have over 100 shows done now, and need to focus more on hooking up to
the
> etree servers to get it out there.
>
>
> funk on,
>  jamie
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