On 6 Apr 2017 8:28 a.m., "Bruno Marchal" <[email protected]> wrote:


On 05 Apr 2017, at 13:47, David Nyman wrote:

If Darwinism may be said to have shown how the illusion of design may exist
without need of a designer, we have still perhaps lacked an equivalently
powerful form of explication that might show how the illusion of creativity
could exist without need of invoking a creator. It has been claimed in some
quarters that QM might provide such an explanation in that it purportedly
allows for "something" to appear where there had previously been "nothing".
This view is however open to criticism on the grounds of quibbling about
the meaning of the terms employed.

It occurs to me however that the thrust of the computationalist
explanation, independent of its other putative merits or defects, could be
seen as tending in this direction. At least, if it cannot intelligibly be
shown how something could arise from nothing, it is rather less puzzling
how 0 might be followed by its successors. Indeed it makes little sense to
quibble about this at least as an abstract point of departure. And this
very point of departure is itself little more than we need to invoke the
existence of a maximally-compact intensional widget, the unfolding
extension of which, when filtered through the strenuous sieve of
first-personal logic, may ultimately give rise to the entire perceptual
panoply of concrete creativity. This kernel of creation, in its intensional
and extensional forms, is of course what Bruno refers to as the UD and its
trace.

One might say, aphoristically, that arithmetic might be a maximally lazy
creator's way of ensuring the implicit creation of everything without
explicitly invoking anything other than one simple expression. And although
the creative principle is maximally compressed within this single
expression there is no way of discovering its concrete consequences other
than inhabiting the infinite spaces of its expansion. Perhaps one could say
with only a tinge of hyperbole that this may indeed be the divine route to
knowledge.


I think I will exchange my bottle of grains of sand for a box with some
tinges of hyperbole!

I would not say that so easily that the successor relation is creative, but
it can be said once we have the + and * laws.

When Emil post discovered Gödel's incompleteness (10 years before Gödel)
and "Church's thesis" (15 years before Church, Turing, ..), he made the
"Penrose-Lucas" mistake (30 years before Lucas, 60 years before Penrose),
and concluded that machines cannot think and that

<< the logical process is essentially creative>>

But then, after explaining and defending something as a law, and which was
just the first apparition of "Church's thesis", he realizes that it was a
mistake, that the machine could make the same reasoning. He wrote:

<< the following suggestions came up:
(a) The conclusion that man is not a machine is invalid. All we can say is
that man cannot construct a machine which can do all the thinking he can.
To illustrate this point we may note that a kind of machine-man could be
constructed who would prove a similar theorem for his mental-acts"
>>

Note that this is still wrong, and he should have written: "...All we can
say is that man cannot construct [provably] a machine which can do all the
thinking ...". But the idea of the correction of main Lucas-Penrose error,
was there. Like Judson Web will understand, the Gödelian argument against
machine is double edged, and flip back once made precise enough.

He added, using the expression "creative germ" (taken from Brouwer, I
think):

<<
(b) The creative germ, seems not to be capable of being purely presented
but can be stated as consisting in constructing ever higher type>>

This refer more to the fact that the machine will be able to diagonalize
against any formal description of itself, making it in some sense
constructively not constructive, and much later, he will invent his notion
of creative set of numbers, which much later will be proved equivalent with
Turing Universality. One day I can say more on this. A creative set is a
recursively enumerable set whose complement is recursively not recursively
enumerable: it means that for any RE set in that complement, the machine is
able to find an element in the complement and not in that re set,
contradicting its pretension of being RE. That gave the "Gödel's theorem in
miniature" of his 1944 paper, and which is at the base of Recursion theory.

So, that Post's creativity notion is more directly related to
incompleteness and to the ability of the machine to know its incompleteness
and to overcome it ... mechanically.

It is of course highly debatable that this is "real" creativity. In fact,
it leads to similar paradox than to the "mechanical" definition of
free-will, and admits similar response, which would lead me a bit too far
for this morning and so please add the right amount of "tinges of
hyperbole" meanwhile (grin).


Indeed, when indulging in hyperbole, as with so many things, "the dose
maketh the poison".

David


Best,

Bruno










David

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http://iridia.ulb.ac.be/~marchal/



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