Two Curiosities Linking Music and Speech
http://www.mat.ucsb.edu/595M/spring_2010_talk_7.html

Hola, todos, había prometido enviar información sobre conferencias
interesantes acá en UCSB, revisando material, creo que esta puede ser muy
interesante para músicos y gente trabajando con sonido. Es sobre "oído
absoluto" (creo que es la traducción correcta de absolute pitch) e ilusiones
acústicas (su equivalente en sonido a ilusiones ópticas). La conferencia fue
dicatda por Diana Deutsch en Mayo. Entiendo la señora Deutsch es una
referencia muy importante en el campo.

aca mas info:

*Abstract*

This paper describes two lines of research that point to strong linkages
between music and speech. The first concerns absolute pitch. It is argued
that the real puzzle concerning this ability is not why a few people possess
it, but rather why it is so rare. Findings are described showing that the
prevalence of absolute pitch is far higher among speakers of tone languages
such as Mandarin than among speakers of nontone languages such as English,
and the reason for this association is discussed.

The second part of the talk is built around an illusion in which a spoken
phrase is made to be heard convincingly as sung rather than spoken, just by
repeating it several times over. This perceptual transformation occurs in
the absence of any musical context, and without altering the signal in any
way. Furthermore, once this perceptual transformation has occurred, the
phrase continues to be heard as sung rather than spoken even after months
have elapsed. The illusion is demonstrated, and the conditions under which
it occurs are explored.

*Bio*

Diana Deutsch is Professor of Psychology at the University of California,
San Diego, and conducts research on perception and memory for sounds,
particularly music. She has discovered a number of musical illusions and
paradoxes, which include the octave illusion, the scale illusion, the
glissando illusion, the tritone paradox, and the speech-to-song illusion,
among others. She also explores ways in which we hold musical information in
memory, and in which we relate the sounds of music and speech to each other.
Much of her current research focuses on the question of absolute pitch - why
some people possess it, and why it is so rare.

Deutsch obtained a First Class Honors B.A. in Psychology, Philosophy and
Physiology from Oxford University, and a Ph.D. in Psychology from the
University of California, San Diego. She is Editor of the book The
Psychology of Music, Academic Press, 1982, 2nd Edition 1999, and author of
the compact discs Musical Illusions and Paradoxes (1995) and Phantom Words
and Other Curiosities (2003).

Deutsch has been elected a Fellow of the American Association for the
Advancement of Science, the Acoustical Society of America, the Audio
Engineering Society, the Society of Experimental Psychologists, the American
Psychological Society, and the American Psychological Association. She has
served as Governor of the Audio Engineering Society, as Chair of the Section
on Psychology of the American Association for the Advancement of Science, as
President of Division 10 of the American Psychological Association, and as
Chair of the Society of Experimental Psychologists. She is Founding Editor
of the journal Music Perception, and served as Founding President of the
Society for Music Perception and Cognition. She was awarded the Rudolf
Arnheim Award for Outstanding Achievement in Psychology and the Arts by the
American Psychological Association in 2004, and the Gustav Theodor Fechner
Award for Outstanding Contributions to Empirical Aesthetics by the
International Association of Empirical Aesthetics in 2008.

Saludos !!!

-- 
Andres Burbano
PhD Candidate Media Arts and Technology | University of California Santa
Barbara
Coordinador | Convenor | Latin American Forum ISEA2010
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