voy a discutir esto solamente con Juan Reyes, por lo delicado del mensaje:
ahora les mando el attachment:
En Berklee donde estudio, se me hace un comentario por parte del profesor de
(Advanced Musical Producing with Ableton Live 8.5)
Loudon Stearns:
y dice:
Re: *Post your music here!
by Loudon Stearns - Tuesday, January 25 2011, 03:44 PM EST
replying to Jose Ignacio Quevedo
I am very well versed in Electroacoustic music, having studied and
practiced it for many years. I just saw an amazing show of Xenakis original
sketches and recordings, he is one of my heros. Even when working in this style
there still is a need for organization, an overall structure. If that structure
is not there, then what do you have? Strange noises are not enough, give the
noises direction and purpose. There should be a reason for a new sonic entrance
or a shift. The new sounds should make sense in the context of the previous
sounds.
-L
me pregunto: (YO):
las macro y micro formas:
tienen que tener una coneccion directa, o es posible que sea yo el unico
y me perdonan la palabrota Guevon que prefiere encontrar metalenguajes entre
ellas:
lineas de conexxion no directas multicausales y no unicausales?
ademas esta obra no tiene nada que ver con probabilidades sino con caos y
live performance.
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