My guess on love, truth, and beauty's evolutionary
purpose (as well as the notion of God, which may be a
synthesis of love beauty and truth) is that all of
them have to do with right-brain activity and, more
importantly, with uniting the two halves of the brain,
that is, with effecting  communications between the
two halves through the mid-brain--giving a kind of
"three-dimensionality" to our notion of being
conscious and alive.

In contrast, a fish has no mid-brain.  So his notion
that he is alive comes from the sensory input of water
pressure as he is turning left and right slightly as
he swims.  I noted in another post that a fish out of
water is a "Godless fish."  It may be that our notion
of an "external" God is left over from our fish days. 




--- Duveyoung <[EMAIL PROTECTED]> wrote:

> 
>
http://www.unleashingthewench.com/images/domebrdrd2.jpg
>  Don't know if
> the image will show up for online readers, but the
> link above leads to
> an image that all of us are familiar with.  It
> pertains to the concepts
> below.  I've tried my best to discover the name of
> the artist -- anyone
> know?  Edg
> --- In [email protected], Duveyoung
> <[EMAIL PROTECTED]> wrote:
> >
> > "Stu" wrote: "Love, truth and beauty is the
> recognition of this
> > harmony around us.  They are part of nature, its
> part of us.  No
> > supernatural stuff need apply. Even a hardened
> materialist can
> > appreciate the organic unity of these ideals."
> >
> > Edg:  You know those Necker cubes where the
> diagram of a "box" shifts
> > perspectives back and forth before your eyes --
> with the brain being
> > challenged to mindfully hold one of two
> perspectives?
> >
> > That's the process of enlightenment to me -- you
> just suddenly flip to
> > the other POV.  Blake would approve, eh?  And this
> is echoed in the
> > adages of the masses such as "Fish or cut bait,"
> "Stand for something
> > or fall for anything," and/or "Do you see the
> glass as half full or
> > half empty."  Note that communal wisdom underlines
> the natural ability
> > of all folks to DIRECT ONE'S ATTENTION.
> >
> > The appreciation of beauty is obviously not so
> hard wired that it
> > prevents us from seeing ugliness.  I remember
> taking my children onto
> > my lap when they were crying or pissed off, and
> I'd usually be able to
> > tweak their minds such that they began to laugh
> even while their tears
> > or their clenched fists were still griddle hot
> processes.
> >
> > Like that, beauty is always there, but the secret
> of life is that
> > ugliness is as valuable as beauty.  Yeah, Shiva's
> needed to dance a
> > jig -- gotta have a destruction phase to
> progression.
> >
> > In Art there's photorealistic works that amaze one
> with the exquisite
> > gem edges, leashed iridescence, and shiny
> glintings, and we swoon.
> >
> > Generally missed by all who view such an artwork
> is that using one's
> > eyes to see creates just such an artwork --
> looking at the back of
> > one's hand is just such an experience with its
> 3000 lines per inch
> > detail, its 10,000 hues seen, its astounding depth
> of view, its
> > perfect structures, anatomies, and sense of light
> -- and, ITS REAL!
> >
> > Flip onto that perspective 24/7, eh?  -- ya think
> it might be a mental
> > technique that would evolve ya?  I laugh that
> there's all these videos
> > games out there that are straining to achieve
> realism, yet, every kid
> > has reality smacking his face like bugs on a
> windshield on a dark road
> > in mid-summer Iowa -- like Huxley's birds calling
> "Attention!" in his
> > dystopia "Island."  Smack, smack, smack.
> >
> > Heaven is right there in our faces down to the
> neenee-nana-nanosecond.
> >  Each view, each sound, each report from any sense
> is as rich as,
> > well, as rich as God could create.  Try flipping
> into God
> > consciousness -- you can do it just like being
> able to see a Necker
> > cube change.  I think anyone has this ability to
> suddenly shift into
> > ephiphany at ANY MOMENT, "caused" by ANY INPUT.
> >
> > 'Course, there's no such thing as input, but you
> know what I mean.
> >
> > Edg
> >
> 
> 


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