--- In [email protected], Duveyoung <no_re...@...> wrote:
snip
> 
> Edg
> PS -- Hmmmm, other artists I know of that Curtis doesn't.  
> Hmmmmm, give you accounting of your history, have you heard of Elvis? 
> 
> Ladysmith Black Mombasa? http://tinyurl.com/cq9y84

I'm a Paul Simon fan so I knew about them.  The smoother side of
African music so I don't listen to them now.  I found some guys with
more grit for my tastes.  

> 
> Or, hey, how about my favorite all time singing hottie, Milissa George
>  http://www.youtube.com/watch?v=qGmcBLsrF5k

>From his earlier movies Julie Cruse's music is cool in an ethereal
way.  I saw her live.  This singing style is probably more appealing
for people who grew up in the 50's.  It seems like shtick to me. Like
Sha Na Na. 

> 
> Or, I offered this girl to Turq, but he turned her down, so I guess
> this babe can't sing.  http://tinyurl.com/uvsm5

Music biz formula chick. Dancer with processed voice.  It sounds
better in French then when our formula chicks run this routine!

> 
> Or, http://tinyurl.com/bzer9d is a sample of the King's Singers -- a
> group that rocks me -- try a few of their works.

Wow, that was a surprise!  For me that is the most obnoxious music I
can imagine.  I couldn't make it through a whole song.

Different tastes for different folks huh?  That's what is great about
music.  So did you listen to my two clips?  What was your reaction to
them?
> 
> That'll do for starters.

Any more are welcome.  You are mining in another musical county man! 
Next thing you'll be laying Yma Sumac on my ass!
http://www.youtube.com/watch?v=nOgE0b5DzLo&feature=related


> 
> 
> 
> 
> 
> --- In [email protected], "curtisdeltablues"
> <curtisdeltablues@> wrote:
> >
> > --- In [email protected], Duveyoung <no_reply@> wrote:
> > >
> > > Curtis,
> > > 
> > > Am I reading you correctly that you didn't know about Leonard Cohen 
> > > until recently?  If so, um, gulp, please tell us that you have at
> > > least heard of, say, a guy named Jackson Brown.  Or, from the movie
> > > about Leonard, did you ever hear the works of Rufus Wainwright's dad
> > > Loudon?  Or, Loudon's ex-wife's group, The Roches?  I mean, gulp, if
> > > you haven't heard of Leonard, of whom haven't you heard? 
> > 
> > It would be a mountain of CDs like Mount Meru!
> > 
> > There is tons of music that I don't know about.  Popular music and
> > folk music has not been my musical interest.  And in my defense (I'm
> > guessing that you think I need one) it is only his lyrics that I dig.
> >  When I sing his lyrics I do it to my own blues music.  
> > 
> > I am attracted to singers (which Leonard is not) and black roots
> > music.  I also know almost nothing about Motown and soul music except
> > what you pick up by being bombarded with it growing up.  Guys with
> > broader musical tastes like Geezer and Barry and Vaj (and perhaps you)
> > know more about a wider range of music than I will ever know.
> > 
> > I would like to read more of the Roache's lyrics but I don't own any
> > of their CD.  I appreciate their talent but they don't ring my bell.
> > 
> > I am a musical preservationist of a very specific form of music.  I am
> > not a studio session musician.  So my world is full of the nuances in
> > Son House's guitar work in each of the eras he was recorded in. I am
> > constantly searching for a missing note from a scratchy 78
> > reproduction. Every musical genre is a universe, and that is doubly
> > true if you want to perform it.  My musical world is both tiny and
> > vast! After a about 35 years chasing it, I am just getting close to
> > what I want to express in this genre.  If you want to understand who
> > moves me watch Son House:
> > http://www.youtube.com/watch?v=8jN5vqEyV7g
> > 
> > If  the lyrics make your eyes well up, and the guitar playing makes
> > you want to play a resonator guitar till your fingers bleed, you will
> > understand my world.  If you go "that was interesting" and don't  feel
> > compelled to search out every one of his recordings so you can study
> > every recorded sound he made, you will understand how I feel about
> > guys like Jackson Brown. 
> > 
> > When I am not listening to acoustic blues I listen to African music
> > especially acoustic music from Mali.  I also dabble in Brazilian
> > ghetto samba guitar. My musical tastes are usually very specific and
> > it hits me like a ton of bricks on first listen.  
> >  
> > > 
> > > From Leonard Cohen to anyone is merely, say, two degrees of
> > separation> at the max.  He's either shaken the hand of everyone in
> > the music> world, or he's shaken the hand of someone who shook the
> > hand of> someone he'd not shaken the hand of yet.
> > 
> > That was an interesting part of the documentary for me. 
> > 
> > <Snip>
> > > 
> > > Who would Curtis be if he'd loved Leonard way back sooner?
> > > 
> > 
> > Maybe I would be another one of those guys who gets paid $100 for 3
> > sets at the local bar who can play a little of everyone instead of a
> > person making their living playing music?  I don't have the broad
> > musical talent or interest to be able to become a session musician. I
> > have no dreams of fame and fortune in popular music.  I am NOT the
> > next American Idol!  But I do one thing well enough to get paid
for it.
> > 
> > Maybe I would be in a wedding band and feel my soul eroding from
> > another night playing "Mustang Sally"?
> > 
> > I am not choosing music, I am following my muse.  And the one I live
> > and breath is treating me well.  Wherever I perform I am playing the
> > music I love the most.  I never have to compromise my musical taste
> > for a paycheck because I am a specialist.  Fill the room with kids and
> > pay me, I'll turn them on to Delta blues.  Got a room full of
> > customers for a trade show and have a check in your hand...I'll rock
> > the house with Son House and whatever latest bluesman I am researching
> > that is turning me on. I only play what moves me.
> > 
> > I do like to discover a treasure trove of talent like Leonard Cohen
> > and learn what I can.  Youtube is giving me a much broader musical
> > education. I am filling in some musical gaps since it is all free.  I
> > have always tended to listen to my own cassettes and now my CDs rather
> > than the radio, so I have plenty of musical gaps.  My GF had to
> > practically tie me down to get me to listen to the newest acoustic
> > star of the college scene, Jason Mraz.  But once I did give him a
> > chance I now enjoy playing some of his songs for her.  So I'm
> > expanding a bit from the boundaries of my musical asperger's
syndrome!  
> > 
> > But when I hears something like this I am back to chasing my ghosts:
> > 
> > http://www.youtube.com/watch?v=c8RtayjqqIw
> > 
> > Thanks for inspiring a music rap Edg.  Please give me some more names
> > of people you dig so I can youtube them.
> > 
> > 
> > 
> > 
> > 
> > > 
> > > If you haven't been jiggy with Leonard, to me that's another example
> > > of what happened to Karna -- Arjuna's evil twin brother who had a
> > > special weapon of mass destruction -- Vasavi shakti -- a mantra, a
> > > boon from Brahma -- a mantra that would be the equivalent of, say, a
> > > 500 kiloton thermonuclear devise.  When Karna got into straits
that he
> > > couldn't fathom, he finally panicked and decided to use the weapon,
> > > but, urp, he couldn't remember the damned mantra!  Couldn't
remember a
> > > mantra given to him by an adoring but conniving Indra!  How's
that for
> > > getting close to something important and ending up looking the other
> > > way when a Kennedy was shot, or the shuttle blew up, or your perfect
> > > woman walked by as you bent to tie your shoes?
> > > 
> > > Then, of course, when Karna was trying to get his chariot wheel
> > > unstuck, Arjuna did this major Kshatriya sin by whacking him right
> > > then instead of only shooting at Karna when Karna was braced and
ready
> > > for impact with both eyes open as befitted a dignified battle to the
> > > death donchaknow.
> > > 
> > > Krishna, Who had told Arjuna, "Yeah, it's a sin to fight like this,
> > > but he's your twin and cannot be beaten except by cheating our
> > > military morals, and if you don't kill your fucking brother now,
then
> > > you never will, so get your ass whompin' on Karna, bitch!"  'Course,
> > > it is only later that Arjuna finds out that Karna was his frickin'
> > > brother!  Mom told him and the Pandavas when she, you know, finally
> > > got around to it.  Those sneaky Hindus!
> > > 
> > > Something like that.  The above paragraph symbolizes a certain
> > > dramatic romanticism that resides in the last remaining outposts of
> > > Hinduism in my personality.  I've always thought it was so cool that
> > > Krishna was willing to sin and tell Arjuna to do so too.  Gave
me hope
> > > that maybe my sins could also be rationalized, ya see?
> > > 
> > > Like that, I think we've all missed so many mantras -- so many times
> > > in life when we could have taken a left instead of a right and made
> > > the rest of our lives peachykeeno, but, noooooo, we had to do it our
> > > way, take our roads instead of the obvious roads.  Even when we
stood
> > > for an hour at Frost's woodsy divergence and considered deeply which
> > > path to take, we have all decided that our peering down each
until it
> > > bent in the undergrowth was enough data to make the decision -- when
> > > no decision could be made with any accuracy.  Sorta like you,
Curtis,
> > > when you were sorting through the racks of CDs in a music store, eh?
> > > 
> > > Fish or cut bait times have always been my undoing.  Being a
trikker,
> > > I, of course want to go both ways!  Time itself finally must
shout at
> > > me from some unseen chariot -- "Don't just stand there!  Decide
now. 
> > > Decide blindly.  Decide unknowingly, but decide!"
> > > 
> > > And I do.
> > > 
> > > Who would Curtis be if he'd loved Leonard way back sooner?
> > > 
> > > Edg
> > > 
> > > The Road not Taken -- Robert Frost
> > > 
> > > Two roads diverged in a yellow wood
> > > and sorry I could not travel both
> > > And be one traveller, long I stood
> > > and looked down one as far as I could
> > > to where it bent in the undergrowth;
> > > 
> > > Then took the other, as just as fair,
> > > and having perhaps the better claim
> > > because it was grassy and wanted wear;
> > > though as for that, the passing there
> > > had worn them really about the same,
> > > And both that morning equally lay
> > > in leaves no feet had trodden black.
> > > 
> > > Oh, I kept the first for another day!
> > > Yet knowing how way leads on to way,
> > > I doubted if I should ever come back.
> > > 
> > > I shall be telling this with a sigh
> > > Somewhere ages and ages hence:
> > > 
> > > Two roads diverged in a wood, and I --
> > > I took the one less travelled by,
> > > and that has made all the difference
> > > --- In [email protected], "curtisdeltablues"
> > > <curtisdeltablues@> wrote:
> > > >
> > > > --- In [email protected], "do.rflex" <do.rflex@>
wrote:
> > > > 
> > > > I love this guy.  I just got turned on to him this year
> embarrassingly
> > > > enough from this documentary http://www.leonardcohenimyourman.com/
> > > > 
> > > > That is one of the songs I am singing blues style these days, the
> > > > title track:
> > > > http://www.youtube.com/watch?v=r24_T-HOcyg
> > > > 
> > > > Great songwriting. 
> > > > 
> > > > 
> > > > >
> > > > > 
> > > > > 
> > > > > Ring the bells that still can ring
> > > > > Forget your perfect offering
> > > > > There is a crack in everything
> > > > > That's how the light gets in. 
> > > > > 
> > > > > http://www.azlyrics.com/lyrics/leonardcohen/anthem.html
> > > > > 
> > > > > 
> > > > > Song: http://www.youtube.com/watch?v=tjtE2-dLjSs
> > > > >
> > > >
> > >
> >
>


Reply via email to