A pro at what? Being a pest?  :-D

Joe wrote:
> Hmmm. Now that you put it that way I'd have to say that I'm a pro and you 
> don't know what you're talking about.
>
> --- In FairfieldLife@yahoogroups.com, Bhairitu <noozg...@...> wrote:
>   
>> I'll correct one thing, I shouldn't have said "all" but "some" instead. 
>> I'm not lying. But you'll never know because you weren't there.
>>
>> It was your tone that came off like some of the arrogant folks I've met 
>> in the recording industry. The "I'm a pro and you don't know what you're 
>> talking about" bullshit. I saw it mainly with the techs and people 
>> behind the scenes and not so much with the performers. I swear that so 
>> many in Hollywood spend so much time watching their butts that they get 
>> anything done.
>>
>> So no I won't accept your silly maya. So fuck off you shit for brains.
>>
>>
>> Joe wrote:
>>     
>>> The "so" is that you made a blanket statement that Graham Nash "sang ALL 
>>> the high voices for the Beatles." That's what you said. This has nothing to 
>>> do with what you or I do (or in your case did) in the music business.
>>>
>>> I'm not trying to diminish what you did at all. How you come up with that 
>>> is boggling. Other than what you've said I don't know what you did. I am 
>>> trying to diminish your lying.
>>>
>>> Why do I believe that Rick spoke to Obama? It's verifiable. Judy and 
>>> theater people in NY I don't know but I have no reason to doubt it.
>>>
>>> Dude, you cannot compare these things.....is it that difficult for you to 
>>> comprehend?
>>>
>>> You claim, in an oh-by-the-way manner, that Graham Nash sang all the high 
>>> parts on Beatles records. You really think that a claim like that is the 
>>> same as Judy knowing theater people?
>>>
>>> Your claim is something that can be checked and verified, if true. You're 
>>> pissed because I called you on what is obvious and complete bullshit. It 
>>> has nothing to do what what we do (or did) in the music business. If 
>>> calling you on your obvious bullshit makes me vain in your mind, so be it. 
>>> I'm called many things but "vain" is not usually one of them.
>>>
>>> Do people sometimes sing, unaccredited, on sessions? Sure! (Mick Jagger on 
>>> Your So Vain.)
>>>
>>> But you make the blanket claim that Graham Nash sang all the high parts on 
>>> Beatles records. This is the Beatles we're talking about dude. If this were 
>>> true, or even partly true it would be known. Do a little research and 
>>> you'll find out exactly who did what on every Beatles session. Does Ringo 
>>> wish that Andy White didn't play drums on a version of Love Me Do? Sure he 
>>> does, but there's nothing he can do about it because it's a matter of 
>>> record.
>>>
>>> Graham Nash was among the many that sang the chorus of All You Need Is 
>>> Love. Your statement that he sang "all the high parts for the Beatles' is 
>>> preposterous and untrue.
>>>
>>> Accept it and move on. (Or not.)
>>>
>>> --- In FairfieldLife@yahoogroups.com, Bhairitu <noozguru@> wrote:
>>>   
>>>       
>>>> Joe wrote:
>>>>     
>>>>         
>>>>> OK, in the 60s you played in a rock group that opened for the Springfield.
>>>>>
>>>>> You visited Heiders one day when CSN were recording. We could trade 
>>>>> studio stories all day long....(I once made a jazz album at OceanWay 
>>>>> Recording in LA in Studio 2 while the Stones were in Studio 1 making 
>>>>> Bridges to Babylon).
>>>>>   
>>>>>       
>>>>>           
>>>> Yeah, so? See we've both been in the business. I have NO idea to what 
>>>> extent you are involved in the business and neither do you me. You sound 
>>>> like you're trying to diminish my experience but I could care less. 
>>>> Perhaps you also don't believe Judy who also met a lot of people working 
>>>> in theater in New York? Nor Turq when he worked on some rock concerts 
>>>> and met people? Nor maybe that Rick ever talked to Barrack Obama? If 
>>>> you're in the business you know this stuff happens. But I also know that 
>>>> "some" people in the business can be incredibly vain too. ;-)
>>>>     
>>>>         
>>>>> That Nicky Hopkins played on a few Beatles tracks is widely known. You 
>>>>> started out saying that Nash, (and I quote) "sang all the high voices for 
>>>>> the Beatles." Is the story now, that he sang the high part of Penny Lane? 
>>>>> After digging around a bit I was able to find out that Graham was one of 
>>>>> many singing in the backround of All You Need Is Love. He was joined by:
>>>>> "– George Martin on piano, Mick Jagger, Keith Richards, Marianne 
>>>>> Faithfull, Keith Moon, Eric Clapton, Pattie Boyd Harrison, Jane Asher, 
>>>>> Mike McCartney, Maureen Starkey, Graham Nash and wife, Gary Leeds and 
>>>>> Hunter Davies on backing vocals, Sidney Sax, Patrick Halling, Eric Bowie 
>>>>> and Jack Holmes on violins, Rex Morris and Don Honeywill on sax, David 
>>>>> Mason and Stanley Woods on trumpets, Evan Watkins and Henry Spain on 
>>>>> horns, Jack Emblow on accordion and Brian Martin on cello
>>>>>
>>>>> Graham is not listed on Penney Lane. The additional musicians on"Penny 
>>>>> Lane" were – Ray Swinfield, P. Goody, Manny Winters and Dennis Walton on 
>>>>> flutes, Leon Calvert, Freddy Clayton, Bert Courtley and Duncan Campbell 
>>>>> on trumpets, Dick Morgan and Mike Winfield on English horns, Frank Clarke 
>>>>> on double bass and David Mason on piccolo trumpet.
>>>>>
>>>>> Again, if Graham Nash sang often with the Beatles it would be documented. 
>>>>> Every recording session of the Beatles is completely documented.If you 
>>>>> can find any evidence that this is true I'll gladly consider it, but you 
>>>>> appear to be imagining something which is not true.
>>>>>   
>>>>>       
>>>>>           
>>>> Not imagining it but whether it was specifically Penny Lane or not I 
>>>> can't be sure but he did mention other tunes. In the recording industry 
>>>> people might contribute to an album but have to remain uncredited 
>>>> because of their recording contracts. I came across a situation like 
>>>> this a few years ago where a producer on a group's first album wrote 
>>>> most of their tunes but due to his recording contract couldn't be 
>>>> credited. As a result a friend of the other producer on the second album 
>>>> was offered the chance to submit some tunes two of which I wrote the 
>>>> music for.
>>>>
>>>>     
>>>>         
>>>
>>>
>>>       
>
>
>
>   



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