The fact that you did this pre computer this way makes takes this from amazing 
to F'n magic Edg. I had admired your art before but somehow knowing the process 
makes it richer. Incomprehensible to the visual arts impaired like me. Glad you 
posted his.

---In, <> wrote :

 BTW I did this piece ten years before I had my first home computer.  

Here's the technique I used for the leopard.....a few steps more complex than 
that used for the Maharishi portrait.

Technique used:

1. Gesso the canvas and sand down with fine sandpaper -- three layers.
2. Paint entire canvas with acrylic black. This is done in the sunshine such 
that the sun dries out any thin coat almost instantly -- small areas worked 
repeatedly until the canvas is as SMOOTH AS canvas fabric textures. 
Canvas ends up covered with "about" three layers of black.
3. Lay down a matrix of 1/8th inch wide tape. Individual squares' sides are 1/4 
4. Using a spoon, "iron" down all the tape -- especially where 
tape-crosses-tape -- using the edge of the spoon's bowl to jam the tape into 
the corners.
5. Spray paint the entire taped-matrix canvas with white paint. Holding spray 
can perpendicular to the canvas about a foot away, so that the paint hits the 
black squares but is not jet-sprayed under the tape -- especially at the 
6. Prepare a number-analysis of an image. Before computers did this, I devised 
a by-hand method of determining the black-white value of any given square. I 
judged each unit of the image on a 1-10 scale.
7. Hand pencil into all the squares the appropriate number.
8. Using razor blade, cut off tape where image/intuition conspire to "demand" 
that adjacent squares be "joined" into rectangles -- an art-sense process 
combined with "critically needed" concept. Some squares just had to be squares, 
ya know?
9. Where the tape was removed, paint the now-exposed black area white -- 
careful to do this without painting out the number penciled in the white areas.
10. Mix paints. Choose general hue, and then prepare 10 values of that hue from 
"almost white" to "almost black." Sit in a dark room without lights for ten 
minutes and mix the paints using the rods of your eyes without the color 
information from the cones. Result: 100 small batches of pigment in film 
canisters. Oil paint....not acrylic.
11. Determine a color scheme for the non-image areas. 
12. Spoon down the taped matrix in a small area of the canvas and paint the 
squares with corresponding hue.
13. Using tweezers and razor blade, carefully pull off the tape still 
surrounding the now freshly painted areas. This leaves the areas sharply 
surrounded by crisp black lines.
14. Repair any messed up lines.
15. Repeat until all areas have no tape.

Say "ah."

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