--- In [email protected], Peter <[EMAIL PROTECTED]> 
wrote:
>
> 
> 
> --- authfriend <[EMAIL PROTECTED]> wrote:
> 
> > --- In [email protected], "authfriend"
> > <jstein@> wrote:
> > >
> > > --- In [email protected], MDixon6569@
> > wrote:
> > > >
> > > >  
> > > > In a message dated 8/1/06 12:50:58 P.M. Central
> > Daylight Time,  
> > > > jstein@ writes:
> > > > 
> > > > *If* he  really wants to be a decent person and
> > live
> > > > up to his Christian ideals, his  father's anti-
> > > > Semitism must be a horrible conflict for him. He
> > 
> > > > seems  not to be able to cross his father; maybe
> > 
> > > > he's afraid his father won't  love him any more
> > if
> > > > he does. Not a good place to be  in.
> > > > 
> > > > He may believe in the biblical teaching that one
> > doesn't betray 
> > or  
> > > > disrespect ones authority figures, no matter how
> > wrong the may be 
> > > > because God gave them authority over you.
> > > 
> > > On the other hand, he has said that his father has
> > > "never lied to him."
> > > 
> > > It's a good point, though, that he may actually
> > have
> > > a religious conflict, but I'd suggest that's in 
> > > addition to an emotional conflict about publicly
> > > disagreeing with his father.
> > > 
> > > As a public figure himself who made a
> > controversial
> > > movie about Jesus Christ, he can't just keep
> > entirely
> > > silent.  He's going to be asked about it over and
> > > over, and whatever he says is going to be given
> > wide
> > > publicity.  So he really is between a rock and a
> > hard
> > > place.  He can't publicly *agree OR disagree* with
> > > his father.
> > > 
> > > No wonder he drinks...
> > 
> > Hmm.  Now I'm wondering whether the idea of making
> > the movie about Christ was part of this prompting I
> > suggested he's getting from his psyche to get the
> > conflict with his father out in the open and deal
> > with it.
> > 
> > That didn't work, so the next thing was for him to
> > have a drunken meltdown in which he more or less
> > channeled his father.
> > 
> > Gibson was very good, by the way, in the movie
> > "Hamlet," which he directed and starred in.  
> > "Hamlet" is very much about father conflicts.
> > 
> > Does "Braveheart" have anything about fathers
> > in it?  I never saw it.
> > 
> > I did see "Patriots" (and wished I hadn't--it was
> > dreadful).  Can't recall whether there was father
> > stuff in that--he *plays* a father, but I'm not
> > sure there was anything in it that resonated with
> > the current situation.
> 
> A psychoanalytic look at Mel's movies easily reveals
> an unresolved Oedipal conflict. In most of his movies
> he plays a charming, rebellious, under-valued,
> adolescent-like character always bucking the
> established authority and at time betrayed by it:
> Brave Heart. In a sense Mel is still a boy because of
> the narcissitic domination of his father, who from all
> accounts, is a real bastard. A stiff, unloving father
> who is in unconscious competition with his son can
> never truly value and love his son and psychologically
> support his transition into adulthood and becoming a
> man. Mel has the classic Oedipal, love/hate
> relationship with a narcissistic father that produces
> a man-boy who is desparately seeking his father's
> witheld approval and simultaneously raging against his
> father's unacceptance of him. No wonder he
> self-medicates with booze. Mel's a bit of a mess!
> -Dr. Freud at the Movies 

Whatcha think of my idea about "Passion of the
Christ" being an unsuccessful (subconscious)
attempt to force that conflict with his father
out in the open--via the anti-Semitism issue--
and the drunken episode being the real (if
extremely messy) breakthrough in that regard?

I mean, he can't *not* deal with it now.  He
managed to tiptoe around it with "Passion,"
but it looks to me like his psyche got so fed
up it decided to arrange a head-on collision.






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