>From the New York Times:

September 8, 2006
Art Review
Pictorial Delights Beyond Words 
By HOLLAND COTTER

IF painting and writing can be seen as modes of thinking, and they 
can, then "Brush and Ink: The Chinese Art of Writing," at the 
Metropolitan Museum, is as much a brainstorming session as an art 
exhibition, crackling with ideas and arguments every step of the way. 

It is also a sequence of moods, with impassioned voices calling out 
from the 80 scrolls and inscribed fans spanning several centuries, 
including the 21st, that line the galleries. Poor me, sighs an exiled 
scholar in a sad letter home. Lucky us, sings an exultant empress at 
the height of her power. Other voices, a whole chorus, chime in: Be 
joyous. Be calm. Beware....

And once you've seen it, you might even feel that Huang's cursive 
masterpiece out-Pollocks Pollock. Certainly its 60-foot-long flow of 
looping, swooping characters — they twist and shout; pump up, slim 
down; leave skid marks behind them — blurs distinctions between 
writing and painting, control and spontaneity, virtuosity and 
accident. On top of this, it dramatizes, in compelling, 
nonrepresentational terms, a complicated story of political intrigue 
and endangered friendship....

By no means everything is wild and crazy. An exquisite eighth-century 
manuscript called "Spiritual Flight Sutra" is a paradigm of centered 
probity. Its characters are uniform in weight, geometrically 
structured, meticulously aligned. Designed for legibility, they also 
convey the pacific ethos of the Taoist scripture they embody.

Read more at:
http://tinyurl.com/kp239






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