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Editorial Reviews
Book Description
This penetrating literary-journalistic memoir depicts the clash
between promise and reality within the movement that virtually defined
alternative spirituality in America: Transcendental Meditation and its
iconic guru, the Maharishi.

Like hundreds of thousands of young people, Geoff Gilpin entered the
Transcendental Meditation movement in the early seventies, when its
guru, the Maharishi Mahesh Yogi, was fresh in the public mind as a
spiritual guide photographed with the Beatles and the man who made
"meditation" a household word. The movement's Iowa campus was a hub of
natural foods, all-you-need-is-love optimism, and the pursuit of
bliss. Gilpin left after five years, settling into a successful career
in the software business. Wistful over the past and concerned by the
increasingly harsh tone of announcements from the group, Gilpin
decided to return twenty years later to learn what had become of the
spiritual community of his youth.

His move back to Fairfield, Iowa, proved both revealing and
unsettling. He rediscovered what had attracted his generation to
Eastern spirituality-and what his cohorts had lost in following the
usual path to careerism. But he also witnessed the disturbing changes
in a spiritual organization that-while growing wealthy and even
powerful-had seemingly drifted from its early ideals, sometimes in
favor of grandiose ventures. Its inner culture, Gilpin observed, had
divided into haves and have-nots, in ways both subtle and obvious. The
Maharishi-his age estimated from the late eighties to early nineties
and now living in Holland-had hit upon plans that involved third-world
dictators, claims of levitation, and a range of moneymaking enterprises.

The Maharishi Effect is one man's bittersweet chronicle of innocence
found and lost in the movement that, more than any other, defined
spirituality for a generation.

About the Author
Geoff Gilpin lived inside the Maharishi's movement for five years in
the 1970s. Gilpin is a computer programmer and technical writer. This
is his first work of creative nonfiction.







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