I was just watching Jon Anderson's recent DVD, Tour of the Universe, and was amazed by how well Jon was able to put his own vision (supposedly cognized in dream state) into the video realm. It has him, doing solo, a number of great Yes songs like And You and I, The Revealing Science of God and Ritual/Nous Sommes Du Soleil--but by far the most compelling element on the DVD is the graphics and their organic quality. The songs are actually so-so. 

The piece on the Golden Mean is also quite good, esp. since they explain how fruits and veggies all organize according to the Golden Mean and the Fibonacci sequence. Very captivating. The Golden Mean *is* the mathematic representation of connectedness.

If Roger Dean's painting could be seen in real time, they'd resemble this.

Here's the intro with graphics:



(Quicktime .mp4 format)

On Oct 2, 2006, at 11:10 AM, [EMAIL PROTECTED] wrote:

This whole discussion about the film Who Killed The Electric Car has got me 
thinking about the hippie ethos about the environment. Two YES songs came to 
mind--- The Ancient and Don't Kill The Whale. The Ancient  deals with a kind of 
romanticism about ancient cultures that lived closed to the earth and its 
natural rhythms, and the sun in particular. There is supposed to be a 
"primitiveness" about the percussion in the song, but it's actually one of the most 
modern, progressive (ie complex) sounding pieces of music YES ever did (I'm 
referring to the first 10 minutes). I never cease to be amazed by the arrangement of 
that song. The last part of TALES is actually a very simple song, almost a 
classically-infused folk song due to Steve Howe's guitar intro and outro. In 
articles about Steve Howe's interest in vegetarianism, he often sites the lyrics 
"Where does reason stop and killing just take over/ Does a lamb cry out before 
we shoot it dead" as echoing his feelings at the time (though Jon wrote the 
lyrics, and he didn't remain strictly veggie). I think "Don't Kill The Whale" 
deals with a less intrusive form of environmental ethics. I say "intrusive" 
because vegetarianism is an enormous commitment. I've been vegetarian for 30 years, 
and I have to say it takes a good deal of study to fashion a diet that works 
for you and that you can apply everywhere you travel. It can also be fun-- 
searching out ethnic vegetarian food at restaurants, studying nutrition, and 
visiting health food stores and learning about the whole counterculture of 
holistic health ideas.  I've been very glad to have access to this information 
throughout my life. Also, it's been helpful in dealing with normal aging issues of 
changing metabolism, weight gain, etc. In other words, I already knew all about 
nutrition and how corporate food monsters try to make you addicted to food 
that makes you sick and fat, so  I just applied the knowledge and ate healthy 
whole food instead (oh boy, now I'm hearing Pete Sinfield's "Whole Food Boogie" 
in my mind, and anthem if there ever was one!)
   "Don't Kill The Whale" is a more "distant" form of environmental ethics. 
It's easy to avoid using whale products and signing a petition against the 
Japanese (among others) hunting whales to near extinction.  You know, I have 
always had a theory that if YES had called that album (Tormato) Don't Kill The 
Whale instead, and had a cover a huge whale jumping out of the ocean, it would 
have been a much more popular album. But of course, you can't repeat history so 
that can never be put to the test. 
    Come to think of it, "Miracle of Life," which is essentially a Trevor 
Rabin song, also fits in quite well with the YES canon of 
environmentally-friendly songs. That is essentially about the destruction of ocean ecosystems through 
over-fishing. 
"Secret lives of oceans been washed away like mud.
You don't want my devotion;
You'd rather be washed in blood.
Can we turn away from this open anger?
Counting all the prey
Don't you feel the danger to the miracle of life."
   I think all these songs, and maybe even ABWH's Birthright (about the 
West's nuking of native peoples lands), fit in with the hippie spiritualists 
fascination with native cultures, human rights, environmental ethics, and 
vegetarianism. Let's just hope that those interests have not waned, and that the film 
Who Killed The Electric Car will remind us how intertwined politics is with 
these concerns. --==-=-= om-=== Nick

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