--- In [email protected], TurquoiseB <[EMAIL PROTECTED]> wrote:
>
> > > Not surprising that it isn't Spencerian script. That requires a 
> > > dipped pen, or modern 
> > > equivalent (though calligraphers still use dipped pens for 
> > > professional/display work, or 
> > > such has been my experience as an amateur, because the cartridge 
> > > pens don't allow the 
> > > same degree of control of ink-flow and most professionals like to 
> > > modify off-the-shelf 
> > > inks before they use them).
> > 
> > Yeah, I'm talking about the kind of cursive writing
> > that was routinely taught in penmanship classes in
> > public schools, maybe still is.  It doesn't require
> > any special kind of writing implement.  It's lovely
> > when done well, but it doesn't have much character.
> 
> With all due respect, you are revealing your 
> stuck-in-the-US-ness. :-) If you'd traveled
> more you'd know that pretty much every country
> has its own *different* standard for teaching
> kids how to write. You'd be hard-pressed to
> even read some of the handwriting that comes
> from France, much less eastern Europe.
> 
> One can only assume that India has its own way
> of teaching handwriting. Whether Maharishi was
> actually a good student or a sloppy one I leave
> up to someone who was raised in that culture.
>


As far as I know, all modern cursive systems for Romance languages descend from 
Copperplate, aka Roundhand. The evolution of American Cursive is quite direct: 
Roundhand/Copperplate->Spencarian->Cursive, but I'd be greatly surprised to see 
a 
Romantic cursive that didn't have Roundhand/Copperplate in its ancestry, since 
that was 
the standard book engraving script used throughout all of Europe.

Now, if you want to see unusual cursive systems, try Chinese/Japanese. 





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