--- In [email protected], cardemaister <[EMAIL PROTECTED]> wrote: > > --- In [email protected], Bhairitu <noozguru@> wrote: > > > > cardemaister wrote: > > > Am7 Dm7 G7 Cmaj9 > > > Fmaj7 Bm7b5 Esus4 E7 > > > > > > Jesus, but that Esus sounds > > > great when I "play" that tune > > > with "techni-chord" on! :D > > The progression is a simple cycle of fourths and therefore open to a > lot > > of workable chord substitutions. Here is a little jazzier version: > > A-9 D-9 G13 C 9/6 > > Fmaj7b5 B-7b5 Esus4 E7 > > > > It also works if you pivot between the B diminished a E7 variations. > > Experiment with varieties that enhance the melody and provide more > > underlying tension for greater emotional support. > > > > That's too "professional" for me. I have no idea how to > get e.g. G13. (Perhaps the techni-chord plays something > like that for me...) I think one has to be mathematically[!] rather > gifted to be able to come up with one's own ideas about various > possibilities with chords. I have to rely on what I see > in the notes or elsewhere. > But "emotional support" is an interesting notion. > It was amazing to notice what a big difference Esus4 > makes compared to plain E major. > AFAIK, harmony (playing chords) is nearly non-existent > in Indian classical music. >
Complex harmony requires even tempered tuning. Even temperment sounds lousy with micro-tonal music. To subscribe, send a message to: [EMAIL PROTECTED] Or go to: http://groups.yahoo.com/group/FairfieldLife/ and click 'Join This Group!' Yahoo! Groups Links <*> To visit your group on the web, go to: http://groups.yahoo.com/group/FairfieldLife/ <*> Your email settings: Individual Email | Traditional <*> To change settings online go to: http://groups.yahoo.com/group/FairfieldLife/join (Yahoo! ID required) <*> To change settings via email: mailto:[EMAIL PROTECTED] mailto:[EMAIL PROTECTED] <*> To unsubscribe from this group, send an email to: [EMAIL PROTECTED] <*> Your use of Yahoo! Groups is subject to: http://docs.yahoo.com/info/terms/
