Change just for the sake of change is always bad.  And for production
operations, it needs to be for a damned good reason to even consider
it at all...

On Tue, Feb 28, 2012 at 10:45 AM, Raymond E. Feist
<[email protected]> wrote:
>
> On Feb 28, 2012, at 8:38 AM, Jean-Marc Bourguet wrote:
>
>> I doubt it was typeset by manually assembling types. At the time, my
>> bet would
>> be on photo-typeset (i.e. using specialized machines doing a somewhat
>> cruder
>> version of what computers are now doing: making films for offset
>> printers)
>> or perhaps hot metal (a 19th century techniques whose machines stopped
>> being manufactured
>> mid 80's if I'm not mistaken).
>>
>> Laser printers BTW is an early 70's technology.
>>
>> Yours,
>
>
>
> You'd be wrong.  In 1982 when Magician was published, publishers were still 
> resistant to anything non-traditonal.  Doubleday owned their own printing 
> plants in Garden City, NY, millions of dollars of installed infrastructure 
> and they were change adverse.  Magician had custom type fonts designed by 
> some art director and book designer, and was set by linotype machine 
> (manually, but not slugging type into a type frame from a California job 
> case).  We started sending discs (4.5" floppies) about the time we were doing 
> Prince of the Blood, and didn't get to e-mailing text files until about 
> Shadow of a Dark Queen.
>
> Best, R.E.F.
>
> =====
> www.crydee.com
>
> Never attribute to malice what can satisfactorily be explained away by 
> stupidity.
>
>
>
>
>
>
>



-- 
Nick A

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