To Venus and Back [LIVE]
Tori Amos 
<http://www.amazon.com/Tori-Amos/e/B000APV51I/ref=ntt_mus_dp_pel<http://www.google.com/url?sa=D&q=http://www.amazon.com/Tori-Amos/e/B000APV51I/ref%3Dntt_mus_dp_pel&usg=AFQjCNHhEQqvpH5B2yTqzcQs6kbvbuR1mg>
>

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*Tracklist*
*/CD 1: Venus: Orbiting/*
01. Bliss
02. Ju�rez
03. Concertina
04. Glory Of The '80s
05. Lust
06. Suede
07. Josephine
08. Riot Poof
09. Da-tura
10. Spring Haze
11. 1000 Oceans

*/CD 2: Venus Live: Still Orbiting/*
01. Precious Things
02. Cruel
03. Cornflake Girl
04. Bells For Her
05. Girl
06. Cooling
07. Mr. Zebra
08. Cloud On My Tongue
09. Sugar
10. Little Earthquakes
11. Space Dog
12. The Waitress
13. Purple People

*Amazon.com*
For many pop-music cynics, excess can be neatly summed up in three
things: live albums, double-CD's, and Tori Amos records. Damned if /To
Venus and Back/ doesn't hit the trifecta. But perhaps Amos is just
trying to prove what we've always suspected: that her muse possesses a
sly, ironic wit and has been frantically trying to give us a wink while
Tori whipped up her heady cocktail of quiet Sturm, desperate Drang, and
angst in the panties. There's teasing moments on this double-dose of
Tori's love affair with her own melodic and mystical dramaturgy to
support that notion, even in the disc of powerful new studio recordings
that inaugurates this set. Dubbing a song "Glory of the 80's" is
burlesque enough, but yearning to have oneself cloned as Kim Carnes
<http://www.amazon.com/exec/obidos/ts/artist-glance/75917/$%7B0%7D<http://www.google.com/url?sa=D&q=http://www.amazon.com/exec/obidos/ts/artist-glance/75917/%24%257B0%257D&usg=AFQjCNHf58Hg0gFYUzLmhmObg4RL8GrDPg>>
at
its climax is simply inspired. Amos is to Kate Bush
<http://www.amazon.com/exec/obidos/ts/artist-glance/51160/$%7B0%7D<http://www.google.com/url?sa=D&q=http://www.amazon.com/exec/obidos/ts/artist-glance/51160/%24%257B0%257D&usg=AFQjCNHvbjz8QZUWAMGsLEbAlvRn3I5z3w>
>'s
distaff mysticism what Mark McGwire was to Roger Maris; she hasn't so
much broken the mold as willfully hammered it into her own image. After
Bush hit the snooze-bar on her career in the late `80s, Amos boldly
stepped into the fray, building a body of work that demanded to be taken
seriously, even while the thrift-store chic set were laughing up their
tattered sleeves at her ambitious chutzpah. They're not laughing now; in
fact, many may find /Venus/ to be a deliciously guilty pleasure. Amos
supporters have long maintained that the key to understanding her
intrigue lies in her live performances. Disc two boldly states their
case as Amos coos, whoops, and warbles through a hit-sprinkled set, her
shrewd, sorely undervalued band hanging with every nuance and turn of
phrase. Cynics are from Mars; Tori is from Venus--that's just the way
her galaxy crumbles. /Jerry McCulley/



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