Pete, Do you reckon this method will work even when, as on the Scanwit, the exposure given by the scanner for each raw scan will vary from frame to frame? If I want to try this method, should I work on each of the R,G,B histograms separately, and set the B & W points to the same value, or what? Any suggestions welcome! Alan T. ----- Original Message ----- From: photoscientia <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Sunday, January 14, 2001 8:41 PM Subject: Re: filmscanners: orange mask > The technique of starting from a raw scan, and applying a generic correction > over multiple frames is the only way to get even colour and density across > multi-frame panoramas. > > Rather than use curves, it's easier to use the levels tool, and align both ends > of the red, green, and blue histograms, IMHO. > > Regards, Pete.
- filmscanners: orange mask fotografia - tomasz zakrzewski
- Re: filmscanners: orange mask IronWorks
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- Re: filmscanners: orange mask Raphael Bustin
- Re: filmscanners: orange mask Robert E. Wright
- Re: filmscanners: orange mask Roman Kielich�
- Re: filmscanners: orange m... Robert E. Wright
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- Re: filmscanners: orange mask photoscientia
- Re: filmscanners: orange m... Hampton Childress
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- Re: filmscanners: orange m... Michael Wilkinson
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