>For an example of a recent scan, see > >http://www.atkielski.com/Wallpapers/images/EiffelInvalidesPaper1600x1200.jpg > >This is a scan of a Velvia 6x6 transparency, ICE set to normal, no GEM or >ROC, no other adjustments, and then tweaked in Photoshop (slight adjustments >to levels). There is more detail in the shadows than you see in this image, >but I couldn't find a way to drag it out without blowing out the brighter >parts of the image, and Photoshop won't let me do much in the way of >selective masking in 16-bit mode. > >If you download the image and open it in Photoshop, it will look better (if >you have monitor compensation turned on), because it is encoded for Adobe >1998 RGB. > >The original scan is 40 times larger than this downsampled image. > >If you have a Mac, try > >http://www.atkielski.com/Wallpapers/images/NotreDame1600x1024.jpg > >This was scanned from a 6x6 Provia 100F transparency, same parameters as >above, but encoded in Apple RGB (looks dark on a PC, but should look correct >on a Mac). Replace 1600x1024 with 1600x1200 to see a PC version. > >For an example of a 35mm scan, try > >http://www.smallevents.com/cage.jpg > >This was Provia 100F again, same parameters as above except ICE turned off. >The scan seems significantly better than scans made previously on the >LS-2000.
Good images, Anthony. May I ask what "monitor compensation" is and how I can find this switch inside of PS v6? I've tried a SEARCH and came up empty. Sorry, but I use Paint Shop Pro more than PS and the latter's still something of a mystery to me except for the obvious functions. Thanks for sharing those pics. Tris ---------------------------------------------------------------------------------------- Unsubscribe by mail to [EMAIL PROTECTED], with 'unsubscribe filmscanners' or 'unsubscribe filmscanners_digest' (as appropriate) in the message title or body
