To tell you the truth, I'm not so sure I should duck for cover.

I've been playing with Sibelius, and its MIDI implementation is brilliant.
It's more than just the mixer window (which is entertaining for about 2
minutes). Unlike Finale, in Sibelius I've been able to customize default
patches for every instrument I use, I can switch between pizzicato, mute,
solo, tutti, and arco/nat samples just by typing the words above the staff
(no fussy expression dialogs), and crescendos actually, well,
crescendo--without having to figure out the obscure drawing tool or do a
bunch of MIDI value tweaking. (Just curious: did anyone ever figure out that
drawing thing?) And this ain't no plonk General MIDI outfit, and I'm not
doing it with a collection of a zillion templates either. I just load my
orchestra into GigaStudio, open a new document, choose my weapons, and away
I go twiddle-free to create music and listen to a decent approximation of
it, using the samples I like.

Finale has its good points, but flexible MIDI implementation is not among
them. 

Trying desperately to remember what those good points were,

Richard Walker
Yokohama, Japan



on 02.7.9 5:05 PM, Colin Broom at [EMAIL PROTECTED] wrote:

> 
> ----- Original Message -----
> 
>> Or you could just buy a copy of Sibelius, which has a handy mixer window
> to
>> control the MIDI volume setting.
>> 
>> Ducking for cover,
> 
> And so you should! :)
> 
> Seriously though, the MIDI options in Finale while fairly flexible are not
> nearly as clearly laid as they could be.  Something like a mixer with
> sliders for volume, pan & continuous data  which could be adjusted in
> realtime, then made more permanent by hitting an "apply" button would be
> very useful.
> 
> Given that Coda seem so (understandably) keen on enticing the new user, it's
> puzzling to me that they have not spent more time looking at how the MIDI
> tool could be improved, as I would have thought that many potential users
> would find this essential to their needs (probably more so than scanning
> ability or micnotator, etc.)
> 

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