On 14 Jul 2002, at 7:16, David H. Bailey wrote:

> Here is a situation that might throw a monkey-wrench into the concept of 
> parts-anchored-to-score-file -- What would happen to the parts if you 
> write out a full score only to get all the parts just as you wish, but 
> then you don't want a full score anymore so you collaps it into a 
> condensed score?

Well, I don't see the issue, since right now you have the same set of 
problems. That is, you can't produce the same parts from a condensed 
score that you can from a full score.

> I can see lots of room for nightmare situations while we all learn how 
> to be sure to set such internal switches before we dare enter a single 
> thing in the score file.
> 
> I don't have a problem with Coda implementing this concept, as long as 
> it could be completely switched off for those of us who are wary of such 
> changes behind our backs, and has a lot of error-trapping and Undo 
> levels for those of us who do use it..

I think the idea of separate files connected back to the score file is a 
complete non-starter. I can't imagine any reason for implementing this 
feature in anything but a single combined file, with the capability 
available for saving out independent part files, as with the current 
capabilities of Finale.

> A few other cautionary situations:
> 
> What would happen if a part file were missing, when the score went to 
> update changes to the parts?  I know this is a programming issue and not 
> a concept issue, but it would be important that the program not "perform 
> an illegal operation" by trying to update a part that isn't there.
> 
> What would happen to the UNDO function if you initiate some killer 
> change and later decide it wasn't so great after all?  Would it be able 
> to Undo all the changes to the parts as well?

Again, I don't think the idea of separate files connected back to the 
score works at all. I don't think it's a reasonable approach to the 
problem at all.

> What would happen to text blocks if you decide you want to add a comment 
> to the conductor that you don't want in the parts?  How would that be 
> indicated if you enter that block before you extract parts?  Each text 
> block would need to have a switch somewhere for "update in parts? 
> yes/no."  Right now it is still a problem, but I can wait to enter such 
> text blocks until after I extract parts.  But if the parts are 
> automatically updated by the score, how would this work if I need to 
> enter a text block for ALL parts, but also a single text block I want 
> entered only in the score?

Well, you can control whether expressions appear in parts/scores, etc., 
so I don't see why text blocks could not be handled the same way. Seems a 
pretty minor issue to me.

-- 
David W. Fenton                         |        http://www.bway.net/~dfenton
David Fenton Associates                 |        http://www.bway.net/~dfassoc
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