From: "David H. Bailey" <[EMAIL PROTECTED]> >And as soon as that person >played something different, even slightly, from what Mingus wrote, who >really was the composer?
mingus. as with beethoven's pno son op111, 2 performances = 2 interpretations. compare gould to gulda for example. no one would argue that either of these performers is now the composer of op111. in jazz the accepted interpretive borders are more flexible than with beethoven performance standards [that these exist is of course an entirely different discussion, and just as problematic], which explains the significant differences in the result. jef -- .jef.chippewa. mailto:jef@;newmusicnotation.com .shirling.&.neueweise. http://newmusicnotation.com _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
