Barbara Touburg wrote:
In fairness, I have found conflicting examples from common practice (both in 4/2). My Dover score of Schumann 3rd Sym. uses centered whole rests for "full measure" rests. Contrariwise, my Dover edition of the Brahms German Requiem uses centered double-whole rests.About the full measure rest I agree with Robert.
Where this gets dicey is in part-extraction, so I looked at the horn parts that I have for these. The Brahms horn part uses whole rests with a bold-face "1" centered over it. Same thing in the Schumann.
--
Robert Patterson
http://RobertGPatterson.com
_______________________________________________
Finale mailing list
[EMAIL PROTECTED]
http://mail.shsu.edu/mailman/listinfo/finale
