At 8:53 AM 02/16/03, d. collins wrote: >When I look at a font, the >first thing I see is the G-clef, which is probably the most characteristic >symbol of any music font, at least for me. Then if I could have the F-clef, >the time signatures, all the noteheads, flags for eighths and sixteenths, >accidentals, and rests, I think that would be sufficient.
The first two bars of Beethoven's path�tique sonata (op.13) gives you quite a bit of this, though you're still missing the open noteheads and quarter rest. Any better ideas? If anyone can come up with a short and reasonably well-known excerpt that contains everything Dennis mentions, I'll be very impressed. mdl _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
