I'm curious if that $2500 included engraving/score prep or if you (or someone) got extra for that. Typically do you include that in your commissions?
Richard > From: Dennis Bathory-Kitsz <[EMAIL PROTECTED]> > Date: Thu, 18 Sep 2003 15:23:17 -0400 > To: <[EMAIL PROTECTED]> > Subject: Re: [Finale] Re: Meet The Composer site > > I'm not sure who actually receives these high commission amounts in the > U.S. It may go hand-in-hand with fame. My largest US commission was $2,500 > for a 25-minute orchestral work. There have been several for performance > only, but I tend to receive $250-$1000 for chamber works from US groups, > plus a recording with full rights and all the ASCAP royalties I can muster. > > Dennis _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
