I don't want to sound like a pathetic salesman/marketing "hack", but Finale
is able to save SmartMusic accompaniments that allow you set up SMS to say
"I want to hear all parts except the bass" or "I want to hear bass and
soprano". All you do is save your file as a smart music accompaniment and
you are done. No need to create expressions to make one part louder or
softer or editing MIDI files to Pan. (not to mention you could then do
practice loops/slow down passages and all the other stuff that SmartMusic
does with these files)

(I know that if you don't have SmartMusic, you'd have to get a subscription,
but the better SmartMusic does, the better the company does, the more
resources we can spend making new Finale versions...)

Just a thought--I make no money off of suggesting it--Don't flame me please!
:-)

Allen
[one of the] Codapolitan[s] in Residence
www.finalemusic.com 

-----Original Message-----
From: Jim Mays [mailto:[EMAIL PROTECTED] 
Sent: Wednesday, September 24, 2003 6:33 AM
To: [EMAIL PROTECTED]
Subject: [Finale] MIDI & "practice tapes"


I am making some "practice tapes" for a choral group I sing with. 

The intent is to create 4 versions of a song --- Soprano, Alto, Tenor and
Bass -- where the featured voice is made prominent relative to other voices
& accompaniment which I do by: a) giving it more volume, b) a different MIDI
instrument and possibly c) by putting it on the right channel of a stereo
wav file.

I find it easiest to create a basic file in Finale, port to MIDI and by
editing the MIDI file to create the three effects above. I happen to like
the new Finale sound fonts, so I import the S,A,T,B doctored (MIDI) files
back into Finale which I then use to write .WAV files. Seems complex,
however changing the dynamics of individual voices seems more easily done in
other software. 

It works nicely -- most of the time. When I re-import the modified MIDI
files back to Finale the tempi which in the Finale file were created as text
expressions come back in as "T.T. absolute" tempo markings at least
according to Forza! The real problem is that the playback is constant as set
by the initial tempo and not changing as originally intended by the text
expressions in the parent Finale file. 

One question I am seeking an answer to is how to map the so-called "T.T.
absolute" tempo marking back to text expressions or whatever other
workaround allows Finale to play the piece back correctly. 

It's quite possible I am simply not knowledgeable enough on how to make MIDI
work for me.

Jim Mays



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