At 5:23 pm -0400 05.04.2004, David H. Bailey wrote:

As a totally unasked aside -- the key signatures of transposed parts (in my opinion as a player of a transposing instrument AND as a conductor) should be in relationship to the key of the whole work, and not in an enharmonic key for ease of playing.

Even if the score at this point is in F# major and you are looking at the Eb alto saxophone part (in D# major)?


John
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