In case anyone's not sick of this thread yet, I did check the score of the Thomas Ades
piece I mentioned ("Catch") and in a selected measure of 5/12, Ades has 5 eighth-notes
with a triplet bracket over the first three and a triplet bracket underneath the last
three; in effect overlapping the triplets, but it's quite clear that he's intending one
measure consisting of 5 triplet eighth-notes. He also has a slightly more confusing
notation for a line that holds throughout that measure - he has a normal quarter note
follwed by another quarter note with a "(-2/3-)" bracket over it. Makes sense, but it
did
take some explaining on the first rehearsal.
Back to dissertating...
-Rob
=====
Rob Deemer
Doctoral Candidate in Music Composition,
Assistant Director, UT New Music Ensemble
The University of Texas at Austin
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