It's up to the editor to decide what is the purpose of the edition, who is the likely audience, what one's personal philosophy is, etc. If you're the editor, then you get to think those things through; if you're not, then you need to talk to whoever is.
If it were my project, I'd engrave everything for maximum readability for whoever I expect will be playing it. That means I'd abandon the notational conventions of the score if a modern equivalent is more clear.
mdl
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