On Aug 8, 2004, at 6:43 AM, Dennis Bathory-Kitsz wrote:
No. 15 is the one. I found my old marked copy of the Peters Edition. I had
circled the bass part mm. 15-16 ... it's G-sharp to A-flat, not tied, but
A-flat tied to A-flat in the piano part. I suppose the vertical
piano/A-flat bass/G-sharp in the piano part was preferable to an
inscrutable tie!
That doesn't sound like the one I was thinking of, so perhaps there's another.
A similar untied enharmonic shift occurs in the "Libera me" fugue in Verdi's requiem. Possibly that's the one I was thinking of, but I still think I've seen the tie somewhere.
mdl
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