Johannes Gebauer wrote:
It also makes sense to have slightly flatter ties since there won't be any notes in between the tied notes (at least I cannot think of a situation where this would occur).
Well, the only common one I can think of would be in a divisi passage, on a single staff, where one voice has a tied note, while the other has an intervenient note, as for example, if the first and second oboes both start out on g, with the second playing a half note, tied to a quarter, and the second playing the g only for a quarter note before moving to another pitch.
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