On 8 Feb 2005 at 18:18, Richard Yates wrote:

> > Human beings do not think of equations and physics when they move --
> > they just move. Physics is involved, but not at any conscious level,
> > and not at any significant level.
> 
> On the contrary, the preparation for the precise movements in
> performing music involves detailed conscious thought about movement.

But not about *physics*, except in the debased sense that I've been 
so heavily criticized for pointing out.

> When I am practicing I am consciously applying principles and solving
> problems in physics such as conservation of momentum, distribution of
> forces, and lengths and angles of of compund levers. Knowing those
> principles of physics has helped make my learning of the movements
> more efficient. That all of this eventually becomes unconscious (or at
> least out of present awareness) through practice in no way negates the
> importance of physics.

But it doesn't make them *signficant* to making music -- it's 
technique, not music. Yes, technique is essential to mastery of the 
music, but you can have all the technique in the world and produce 
nothing of musical significance.

I guess I think about music in an entirely different fashion than 
most people do. That might explain why I find much of what I hear 
produced by musicians so incredibly lacking in basic musicianship. 
Maybe they're all thinking about angular momentum, levers and 
distribution of forces instead of thinking about phrasing and 
expression and dynamics and balance and agogics.

-- 
David W. Fenton                        http://www.bway.net/~dfenton
David Fenton Associates                http://www.bway.net/~dfassoc

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