on 2/24/05 10:58 AM, John Howell wrote: > It isn't part of Baroque recorder technique, but I'd suggest using > the jazz signs for pull up and fall off to get the idea across. > > Also, just to make sure you know, unless your player asks for > something else it should be notated in treble clef at concert pitch > (not transposed) in the octave from the F above middle C to the F two > octaves higher (F1-F3 Helmholtz notation). That way a Celtic flutist > can read from the same part. Alto players reading from vocal > notation read from notation an octave lower and play it up an octave, > but solo parts are almost always notated at pitch.
Thanks for the tips, John - I appreciate it! Jacki _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
