Thanks for the info. I had heard of that strike but not as completely as you write.

Wasn't there also heavy taxing of larger bands in clubs after the war that also helped the rise of small combos? Perhaps that was just in NYC?

RBH

Daniel Wolf wrote:

The James Petrillo-led AFM strike against recordings was in 1942, and is often cited as a factor in the decline of the big band era -- many well-known bands lost their momentum in the recording business. (See, for example: http://www.swingmusic.net/Big_Band_Era_Recording_Ban_Of_1942.html ) (Interestingly, vocalists were not in the same union and all-vocal recordings were made (this was the golden age for groups like the Golden Gate Quartet and there is an interesting -- and not always "mediocre" as my reference above claims-- repertoire of all-vocal War Songs from that time; e.g. "Stalin wasn't Stallin'")). In part due to the FDR administration's arguments about the lack of patriotism of a strike during wartime, the strike ended but not without seriously damaging the position of instrumentalists due to loss of sales and market position.

I believe that the effect of ASCAP-BMI conflict was an important background event to the AFM strike, although I have a different take on the net effect. Tin Pan Alley composers did suffer from lack of continuous exposure to the public, but ASCAP itself survived just fine. Prior to the ASCAP ban, many of the larger recording firms had subsidiary "race" labels for local and minority musics. After the agreement, and no longer bound not to compete directly with BMI, ASCAP expanded its membership franchise into any recorded genre. But it is not difficult ot recognize that as relationships between ASCAP and broadcasters renormalized and renegotiated blanket contracts, radio networks began to program more uniformly and many labels dropped their minority catalogues. Simultaneously, smaller, independent, labels were largely driven out of both the record sales and broadcast markets by the change to electrical recordings, lps, and vinyl, for which production techniques were monopolized.

Daniel Wolf _______________________________________________


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