On 18 Mar 2005 at 14:15, Chuck Israels wrote: > The tendency to do things in ways that delineate the formal outline > surely stems from the necessity for the jazz musician to be fully and > quickly aware of these parameters in order to function well. I have > no argument with those who choose to to things differently, but I find > it useful to separate the "intro" elements from the start of the form > so, when those measures need numbers, I use a,b,c, etc. and start the > actual form with measure 1. As long as there's an identifier so > people can find the place they need to locate in the occasional chaos > of rehearsals and performances, it seems OK to me.
I thought rehearsal letters were what one used for delineating form. -- David W. Fenton http://www.bway.net/~dfenton David Fenton Associates http://www.bway.net/~dfassoc _______________________________________________ Finale mailing list [email protected] http://lists.shsu.edu/mailman/listinfo/finale
